Nativity scene candle holder
On the Nature of Sorcery: Chapter 0.2 — Tea Time.
2023.05.30 05:36 skeriphus On the Nature of Sorcery: Chapter 0.2 — Tea Time.
Motivation — A Close Reading of Tea Time "I'm six feet from the edge and I'm thinking: maybe six feet ain't so far down?"
Chapter V of Weathered
2002 BS Click Here for the Introduction to the essay series.
Prelude to the Close Reading
Why, hello there, again. It’s been a few weeks but I promise that this endeavor is still moving forward. For those that don’t know, this essay is a part of a collection I’ll be putting together which investigates the Eleint, their blood, and sorcery within the Malazan shared secondary universe. We’re still laying down our foundations, and today we’ll be covering a sequence of scenes in Chapter 8 of Toll the Hounds
My intentions were to cover all of the scenes in a single post, but that has proven itself to be difficult. As such, I’ll cover the first scene in this sequence in this post. There’ll be one or two follow-up posts.
There are ten scenes that are in this sequence:
- Nimander 1
- Desra 1
- Desra 2
- Skintick 1
- Desra 3
- Nimander 2
- Desra 4
- Kedeviss 1
- Nimander 3
- Kedeviss 2
I’ll be approaching these scenes (including the one discussed today) through a few lenses.
A ringing of bells.
In his musings on writing
, Erikson discusses the notion of a bell. I’ll let him speak for himself.
In the scenes we’ll be looking at, some of the bells that I believe are used are (and not all of these are represented in this first particular scene):
- Past versus present — ancestors/parents vs. living/children
- How others see us, and how we see others
- The word ‘beast’ and its many meanings
- The words ‘child/children’ and their many meanings
- The relationships between gods and mortals
Particularly the genealogy of continental philosophy that led to Sartre’s existentialism and the shared/adapted/bifurcated philosophies of his contemporaries (such as de Beauvoir, Camus, and Merleau-Ponty). This wasn’t my initial intention when I decided to use this sequence of scenes as a launch pad into my collection of essays. However, the beauty of close-reading is that you go into a text with a hypothesis seeking evidence and support, and then end up with new insights.
Some of the concepts that will be brought up are:
Genre conventions as grammar.
Particularly, we’ll look at Erikson’s use of genre conventions from the likes of Gothic literature and Weird Fiction — namely the Sublime, cosmic horror, and the Weird — as the subtle language used to convey tension that is congruent with some of the other subtexts. If these grammars are subverted, we’ll try to point that out too.
We will later delve more into Malazan’s literary genealogy in other essays, but I want this lens to be present during the reading to see how Erikson aligns or subverts these genre conventions.
We’ll be using Professor Michael Moir’s YouTube lectures
on Weird Fiction as reference.
What the fuck is happening?
This is a question about plot that I will answer at the end of all of the scenes, but keep it in mind as we go through. It has less to do with existentialism and Gothic literature and more on what Gothos was trying to do during these scenes.
We first meet Nimander and his siblings (unnamed) in House of Chains
on Drift Avalii. By Bonehunters
, they had left Drift Avalii and ended up at Malaz City, where they then joined Tavore Paran’s fleet while fleeing Malaz City. In Reaper’s Gale
, we find the siblings had been ‘adopted’ by Sandalath while they traveled to Lether with the Malazans. Phaed wanted to kill Sandalath. Nimander stopped Phaed from killing Sandalath. Withal (Sandalath’s husband) throws Phaed out a window. The murder is taken as a suicide. The siblings intern Phaed and then meet Clip, who offers to lead them to Anomander in Black Coral via Kurald Galain.
This gets us to Toll the Hounds
, where Nimander is being haunted by Phaed. They’ve left Kurald Galain and are now on Genabackis (but not yet to Black Coral). Nimander fears the future meeting his father and the rest of the Tiste Andii. The siblings and Clip ‘stumble’ on Morsko, where Clip is curious about its cult of the Dying God. A ritual takes place there. Nimander and Skintick are nearly enthralled, but are saved by Aranatha (and thus Mother Dark herself). The group then find Clip, who is in a coma. They collect him, and set off in a wagon to follow the Dying God’s priests to Bastion. Along that journey, the siblings stumble upon the High King, Kallor, who reluctantly chooses to not kill them and instead travels with them.
The sequence of scenes in Chapter 8 that we’ll be discussing follows some time after Kallor joins the siblings. Now that the administrative stuff is out of the way, let’s dive into the first scene.
We start this sequence thrust into Nimander’s introspection on ‘rage’ as a breaking of a vessel, impossible to fix. He recalls Deadsmell’s musings that ‘rage in battle’ was a gift while the two drank rum. Rum that awakened memories once ignored by Nimander.
(Note: in Scene 2, we’ll see Desra’s view of Nimander, and we’ll see that Nimander’s ruminations on rage here are what inform Desra’s view of him, and not in the way that Nimander’s doubt imagines.)
In the previous post, we discussed memories and their decay. So much of this series and the lore surrounding it is driven by the memories of ancient beings. Nimander is younger with respect to ancient beings (but ancient nonetheless), and even he struggles with his memories. Perhaps this is a result of the traumas he’s experienced with respect to his being in diaspora and perceived abandonment by his father (a symmetry itself with Rake’s — and the Tiste Andii as a whole — relationship with Mother Dark).
He recalls the rum lighting “a fire in [his] brain, casting red light on a host of memories gathered ghostly
round the unwelcoming heart.” He reminisces on the time after Kurald Galain (but before Drift Avalii) and his father’s emotional indifference. He recalls the pranks him and his kin would pull on Endest Silann; the arrival of Andarist and his arguments with Anomander. It is unclear what the arguments were — if you’ve read Forge of Darkness
, you might be able to infer what’s likely, but I’m curious if the argument is Andarist asking to take the siblings and Anomander refusing, or Anomander asking Andarist to take the children and Andarist was reluctant? Was the argument about Anomander thrusting the Hust blade, T’an Aros/K’orladis (i.e., Vengeance / Grief), onto Andarist or did Andarist already possess the blade? We don’t know exactly to my knowledge, but it’s fun to speculate.
Regardless, Nimander recalls, like a certain inscribed hearthstone, there was peace. Andarist was to take them all through a threshold, a portal elsewhere
(as mentioned, portals end up being a rung bell
, so pay attention). Nimander remembers Endest’s weeping as the children were pulled through a “portalway into an unknown, mysterious new world where anything was possible.”
Andarist raised the Tiste Andii children on that portal’s other side, on Drift Avalii. We know (or can infer) that this was a task to protect the Throne of Shadow, but Nimander and his kin didn’t understand this as children. But Andarist led them with his pragmatism, he ensured they learned how the world was. With our knowledge of Kharkanas, this is so powerful. We know Anomander’s hubris was abused as a motivating factor for Hunn Raal’s despicable acts. We know that Andarist likely lacks children of his own in response to this, and so his taking on guardianship over the children of his brother — that very same brother that rejected Andarist’s grief in favour of vengeance (and materialised in the T’an Aros/K’orladis dichotomy) — is a stark, challenging, and ultimately selfless decision.
But this pragmatism created child soldiers. The collision of reality’s necessity to survive and carry out the duty of protecting the Throne of Shadow came at the expense of what little remaining childhood innocence Rake’s brood still had (even as a people on the run, exiled from their home due to a sociopolitical schism). Andarist became a stern teacher, juxtaposed to the echoes of Endest’s gentleness. “The games ended. The world turned suddenly serious.” Nonetheless, the Tiste Andii siblings grew to love Andarist.
Nimander continues his introspection:
See a bored child with a stick — and see how every beast nearby flees, understanding well what is now possible and, indeed, probable.
This reminds me of a general rule of advice: ‘never fuck around when a child has gun.’ Tiste Andii or not, children can be cruel especially when mixed with unknown doses of trauma and violence. Regardless, I want to call attention here that this notion of children and beasts are each bells rung
. To Nimander, Andarist “unleash[ed] them, these children with avid eyes.” He “had made them good soldiers,” ones that know rage
As such, from his own experience, Nimander suspects that the Dying God is a child. He speaks to the dialectic between gods and their worshippers (another bell rung
The mad priests poured him full, knowing the vessel leaked, and then drank of that puerile seepage. Because he was a child, the Dying God’s thirst and need were without end, never satiated.
The group stumbles on desiccated bodies staked among fields: dried up, tapped of their libations. This speaks to a particular exploitation between mortal and god, symbolised literally as worshippers feeding a god to then become the harvested. This perpetuates the Dying God’s power to accumulate more worshippers via addictive kelyk. The language here shows that the Dying God has stumbled upon a sort of cheat code, an exploitation of the god-mortal dialectic that allows him and his priests to arbitrage power. Like a cancer that, via the law of large numbers, is equipped with the mechanisms to divert a body’s resources to it while it slowly destroys the body.
The scarecrows being in fields is such a perfect choice of this analogy: things to be harvested. A product, a commodity — a thing with both use-value and exchange-value, for our Marxians out there. I believe Erikson has said that he was thinking of oil here, and that is fine by itself, but I do like the mirroring to Eucharistic transubstantiation in Catholicism (due to my being a very-very-lapsed Catholic). Especially with wine, an extremely addictive substance, transcending into God’s blood to cleanse us as cannibalistic sacrament.
Dal Honese burial practices.
Nimander sees these fields as “bizarre cemeteries, where some local aberration of belief insisted that the dead be staked upright, that they ever stand ready for whatever may come." This makes him recall some shipwrecked Dal Honese on Drift Avalii. He thinks on the ancestor cult and burial practices of Dal Hon: literally constructing their homes with their dead in the walls as both material and essence, the building stretching out with additional rooms as time moved on and kin died.
This reminds me of the Neolithic proto-city, Çatalhöyük, found in Anatolia within modern-day Türkiye where ancestors have been found to be buried beneath platforms in living quarters. See: Chapter 6 of The Dawn of Everything
by Graeber and Wengrow.
With or without intention, I like to view this ritual via an existentialist lens, particularly Sartre’s notion of the Look. To Sartre — in contrast to other phenomenologies — being is in flux, some path of a given chaotic double-pendulum switching to and from poles of being-in-itself***\**1
* and being-for-itself***\**2
*. The Look, to Sartre, is a sort of symmetry breaking — a realisation by being-for-itselves that decentralises it, the sudden awareness of its being an object, an Other, to Other consciousnesses.
A heuristic often used to showcase Sartre’s notion of the Look (or Gaze) is that of a voyeur peeping through a keyhole into someone’s room that hears a noise down the hall. Regardless if that noise is from another person (another being-for-itself) or not (say, the house settling), the subjective voyeur suddenly objectifies themselves, collapsing the chaotic pendulum from being-for-itself (nothingness as "no thing-ness") to their facticity — their being-in-itself, their thing-ness — whose meaning to Other being-for-themselves is relative to a separate centre than the voyeur’s own.
To Sartre, the resulting anxiety experienced snapping from subject to object is a proof against any nihilistic approach to solipsism. The fact that we can Other our own being-for-itself means that we can also recognise being-for-itself external to us since those we Other too can Other us as we Other ourselves. The reflexivity as a result of the Look is evidence against solipsism to Sartre.
As a result, this Dal Honese practice is a cultural self-burdening via Sartre’s Look by literally having your ancestors clay-filled bodies decentralise your subjectivity and externalise you as an object that can be judged by its facticity. This results in a sort of collective Dal Honese being-for-others
, Sartre would argue. This isn’t inherently good or bad to existentialists, but it does necessitate a calculus that discerns if the living descendants are authentically
expressing their freedom
with each moment they accept this practice, or if they are living in bad faith
Regardless, though, this is a haunting
of the Past. This haunting isn’t something that is only important to existentialism or other philosophical traditions (such as post-structuralism — see: Derrida’s hauntology
), but to the genre conventions and tropes of Gothic horror and its descendants (such as cosmic horror, weird fiction, and their influences on sword and sorcery, etc.).
There are mappings (some more subtle than others) between the Sublime and the existential anxiety and dread experienced in phenomena similar to the Look. The experience of looking upon the vastness of the sea, of stumbling upon an ancient statue, of learning of the size of the universe — which are described as the Sublime
, the Weird
, or Eldritch
in some literary traditions (e.g., Romantic, Gothic, Horror, the Weird, etc.) — are the same experiences that are often analysed in continental philosophies using words such as angst/anxiety/despaiabsurdity/alienation
Nimander goes on to further expose the relationship between this Dal Honese ancestor cult and inter-tribal conflicts that lead to deaths and stolen bodies that leave physical voids in Dal Honese architecture. He muses how this physical representation of wounds begets a cycle of vengeance (a cultural tradition, a product of facticity and bad faith): “blood back and forth,” he says. He mentions that this cycle is what pushed the shipwrecked Dal Honese from their homes, an act of revolt and perhaps even authenticity to Sartre. Eventually the Dal Honese recovered and “paddled away — not back home, but to some unknown place, a place devoid of unblinking ghosts staring out from every wall.
I love that Erikson has this whole little short story in this scene, especially in the contrast of its being some rum-induced reflection by Nimander on his own past’s haunting of him and his siblings. Moreover, these Tiste Andii are travelling with Kallor, the Undying Unascendant: a being-for-itself that literally manifests the past’s haunting on the present — a man cursed, jaded, who carries the past with him wherever he travels. All of these together show that one’s freedom can have one flee (even be redeemed — which balances with other plotlines in TtH), but that doesn’t necessarily — nor sufficiently so — annihilate the past.
Finding a tower.
After this, Nimander’s reminiscing is interrupted by his hearing Kallor nearby (like a footstep in a hallway). Kallor comments on the use of the corpses and notes that the flora “[is] not even native
to this world, after all.” Nimander replies that the corpses are being used for saemankelyk. The mention of the plants not being native to this world should orient the reader back to the Weird, especially since it brings upon a sense of unease, an Othering — the house settling that again serves to reduce both Nimander and the readers to our thing-ness
‘The past’ versus ‘the present’ versus ‘the future’ (and their hauntings of one another) bubble up again with some banter between Skintick and Kallor about the state of things. Kallor states ‘nothing changes.’ Skintick counters ‘it keeps getting worse,’ to which Kallor claims is but an illusion.
I find this dialogue to be a comical little conflict between Kallor’s perceived-postmodern, nihilistic judgement of the state of things being inert versus Skintick’s pseudo-Rousseauian, inverted-Hegalian, modernist grand narrative of things getting worse.
Again, it alludes to a haunting of the past on the current generation. Interestingly, this is a trend within the Book of the Fallen in general: not as an espousing of the ‘old vs. young’, but Erikson’s decentering/challenging/deconstruction of that binary. Think of Raest in GotM; Menandore, Sukul and Sheltatha in RG; Karsa in HoC; the Witness trilogy. He does this via a sort of Ancient's Hubris colliding with its differences to the Present’s Ingenuity, and this being dual to the Present’s Naivety colliding with the Ancient Wisdom.
Kallor eventually hits a sore spot with the Tiste: he brings up Rake. Unlike the Dal Honese whose freedom had them flee the cultural practices of letting their ancestors haunt both literally and figuratively, Nimander and his siblings were pulled/pushed away from their father (and people) as children — by what very well could be their father’s request. The Tiste siblings are haunted by Anomander’s active
absence. Their continued distance from their father isn’t an act of expressing their freedom against an Ancestor’s Gaze — it isn’t an act of revolution — it is their facticity and a source for their Othering of themselves. We often see this from Nimander’s POVs up to and including this sequence.
Kallor sniffs out this weakness and presses upon the wound. Nimander gets flustered and retorts. To which Kallor responds:
'Anomander Rake is a genius at beginning things. It’s finishing them he has trouble with.'
Also, I didn’t need my ADHD called out so harshly, dude. What the fuck.
Without diving into what Erikson was dealing with while writing this book, this hits hard for Nimander, and is an interesting commentary nonetheless. His father, Anomander, is the leader of a diasporic people who’ve been without home, without a centre, for 400,000 years. I think Kallor’s words hurt Nimander so much because the Tiste siblings don’t know Anomander’s current plans nor have they experienced the "settling-down" from the unveiling of Kurald Galain in what is now Black Coral. They are unaware of Rake’s teleology for his people, for himself even. Regardless, we see again and again that Kallor isn’t just a strong skirmisher, his words cut nearly as well as his blades.
Kallor goes on to confirm that he knows Rake before the group notices a ruined tower among the alien plants and scarecrows. Kallor says its Jaghut. Kallor trudges forth indifferently, pushing corpses out of his way as he bee-lines it to the ruined tower. I don’t think such a sequence of action has ever described Kallor’s whole raison d’être and modus operandi so well: just a man seemingly indifferent to the corpses in his path as his will pulls him forward.
We get a small interaction between Skintick and Nimander that reveals Skintick’s acuity in reading Kallor’s take on Rake. Kallor sees their father as an equal (it isn’t just the readers that need to be keen to subtext, characters do too).
Skintick offers the idea of sicking Kallor on the Dying God, hoping he “decid[es] to do something for his own reasons, but something that ends up solving our problem.” I like the use of “deciding to do something for his own reasons
,” as this aligns so well with authenticity in existentialism (and the absence of some absolute morality for authenticity).
As Nimander approaches the tower behind Kallor, both Nimander and the readers get a great sense of horror, the weird, the uncanny, and the sublime with how Erikson describes the scenery:
Drawing closer to the ruin, they fell silent. Decrepit as it was, the tower was imposing. The air around it seemed grainy, somehow brittle, ominously cold despite the sun’s fierce heat.
The highest of the walls revealed a section of ceiling just below the uppermost set of stones, projecting without any other obvious support to cast a deep shadow upon the ground floor beneath it. The facing wall reached only high enough to encompass a narrow, steeply arched doorway. Just outside this entrance and to one side was a belly-shaped pot in which grew a few straggly plants with drooping flowers, so incongruous amid the air of abandonment that Nimander simply stared down at them, disbelieving.
Nimander notes an incongruity of this place — its aesthetic of abandonment juxtaposed with a curated garden. “The cold despite the sun’s fierce heat.
” This evokes a certain unsettledness to Nimander (and thus, the reader). These genre conventions are sources of tension and anxiety, similar to non-diegetic violins building up to a real or false jump-scare in a slasher flick.
Arrogantly, Kallor chooses to go out of his way and insult the presumed Jaghut within the tower. Classic Kallor. The Jaghut replies “nothing changes,” resulting in Kallor shooting Skintick and Nimander a “pleased smirk.”
Tea time, but before falling into a rabbit-hole and not after.
Before Kallor can announce himself, the Jaghut lists off Kallor’s titles, his facticity. Kallor’s reputation precedes him and there’s an asymmetry here in which the Jaghut knows who Kallor is but Kallor doesn’t yet know who the Jaghut is. This is our first hint that this meeting isn’t serendipitous, and is instead an intentional interaction with regards to the plot. And if this Jaghut knows of Kallor, does he know those who Kallor travels with? Who is this Jaghut’s intended audience among those options?
I also like the play here with facticity: the Jaghut lists out things about Kallor, but is Kallor some sum of those thing-nesses? How many are true, how many are manufactured myths? It’s an act by this Jaghut to Gaze upon Kallor, to show to Kallor that he’s being seen. It’s a deliberate tactic to destabilise and decenter Kallor: an offensive.
We as readers are informed of Kallor’s limitations from the Azathanai curses via Draconus, K’rul and Nightchill, but these limitations on Kallor don’t necessarily restrict his freedom until Kallor allows them.
We get a flash of Jaghut humour and guest rites — this ancient dismisses Kallor while inviting everyone in for tea. Interestingly, Erikson has this Jaghut use the proper noun of ‘Others’ which lends me to think that an existentialist lens hasn’t been the worst pick (not that ‘Othering’ is strictly existentialist by any means).
So, we’ve had corpses drained dry for kelyk, alien plant-life, a ruined tower of an unknown age stumbled upon beyond the urban, a preternatural creature to Nimander and his kin (something they’ve maybe only witnessed a handful of times) and then we get this description:
The air of the two-walled chamber was frigid, the stones sheathed in amber-streaked hoarfrost. Where the other two walls should have been rose black, glimmering barriers of some unknown substance, and to look upon them too long was to feel vertiginous — Nimander almost pitched forward, drawn up only by Skintick’s sudden grip, and his friend whispered, ‘Never mind the ice, cousin.’
Ice, yes, it was just that. Astonishingly transparent ice–
I love this. First: “it was just that” screams “no it isn’t” to anyone paying attention to the words Erikson is using to make the reader uncomfortable. We know: Jaghut + Ice = Omtose Phellack. The atmospheric setting here is directly being called out in not just a sublime way, but his description has an added layer of horror to Omtose Phellack.
Erikson uses “vertiginous
,” giving both Nimander and us a sense of vertigo, being decentred and unoriented. This isn’t too different from descriptions found in works like Vandermeer’s Annihilation
or other New Weird authors. This ice wall calls to Nimander, draws from him feelings of unknown when he’s caught himself staring for too long — emphasis on staring.
For all intents and purposes, this ice wall is a thing, a being-in-itself, neither active nor passive. But its effect on Nimander is similar to the Dal Honese ancestors’ Gaze — this ice wall objectifies him, calls to him, evokes his being-for-others, and emotionally alienates him. The pull Nimander feels is his submitting his being-for-itself with the freedom of those that Gaze upon him. A justification of his facticity, his bad faith. This will be important later.
Eventually we get this awesome line from the Jaghut host:
’Once, long ago, a wolf god came before me. Tell me, Kallor, do you understand the nature of beast gods? Of course not. You are only a beast in the unfairly pejorative sense — unfair to beasts, that is. How is it, then, that the most ancient gods of this world were, one and all, beasts?’
There’s so much going on to unpack in this paragraph.
- He’s called Kallor a beast, but says his doing so is unfair to beasts (damn, this ice orc just roasted Kallor).
- It calls back to Nimander’s thoughts on children wielding sticks and beasts fleeing as a result. With or without knowing it, this Jaghut is calling Kallor a child, too, in the pejorative sense, unfair to children.
- He says the first gods were beasts, but does he mean these early gods were explicitly Beasts (in essence, not the pejorative sense) or that they were beast-like akin to the pejorative sense used on Kallor (or some combination of both)?
- Interestingly, we know that this wolf god is possibly an Azathanai d’ivers from FoL — with this knowledge, would Fanderay and Togg count as a Beast-as-literal-beast beast-god?
Later, again, we get this Jaghut saying Others as a proper noun, and then the Others are called Tiste Andii.
‘Ah, and what of the Others with you? Might not they be interested?’
Clearing his throat, Skintick said, ‘Venerable one, we possess nothing of worth to one such as you.’
‘You are too modest, Tiste Andii.’
'Each creature is born from one not its kind. This is a wonder, a miracle forged in the fires of chaos, for chaos indeed whispers in our blood, no matter its particular hue. If I but scrape your skin, so lightly as to leave but a momentary streak, that which I take from you beneath my nail contains every truth of you, your life, even your death, assuming violence does not claim you. A code, if you will, seemingly precise and so very ordered. Yet chaos churns. For all your similarities to your father, neither you nor the one named Nimander — nor any of your brothers and sisters — is identical to Anomander Dragnipurake. Do you refute this?’
Above, the Jaghut goes on to describe genetics, but also calls out the fact that they are children of Anomander — dude definitely knows more than he’s leading on, that’s for sure, and is winking directly to us readers, seemingly going over the heads of both Kallor and the Tiste. Also, the bit about chaos in blood will come up again and again in later scenes and later essays.
Moreover, we see that the Jaghut says that which he scrapes "contains every truth of you, your life, even your death" — our genetics are facticities, among our thing-nesses. "Yet chaos churns," the Jaghut rebuts. That chaos in our blood is a source of our "no thing-ness," from which we may express our freedom against the determinism of genetics — of facticities — and transcend.
For each kind of beast there is a first such beast, more different from its parents than the rest of its kin, from which a new breed in due course emerges. Is this firstborn then a god?’
I love this for two reasons. One, it speaks to a criticism of the assumption that a prime-mover is necessarily divine. But, through the existentialist lens, it’s a challenge and criticism of the presumed Authority of Genealogy. Jumping back to the early musings on ancestry: if ancestors haunt us and dictate our facticity as a result of suppressing our being-for-itself, then where does that chain of dictating/suppressing end? And is that terminus also an Authority above all generations below it just due to its being something new
, something sufficiently different from its own genealogy, its ancestors ‘behind’ it?
I also like the subtext of trauma as hereditary here with the double entendre behind ‘beast’, we can think of this Jaghut as asking if the primordial source of generational trauma has authority over its descendants? What does this dialogue mean for Nimander and his siblings and their place with respect to their father and the rest of the Tiste Andii people? Does this inform an analysis of Nimander’s chaotic double-pendulum between being-in-itself, being-for-itself, and his being-for-others?
thing I would like to point out here, too, is that neither Skintick, Nimander, nor Kallor have used the Tiste Andii’s names, yet this Jaghut knows them by name. Kallor could deduce they were Rake’s children, but he didn’t know their names. Even though Skintick showcased an acuity to subtext when considering Kallor’s opinions of Rake, he doesn’t catch onto this subtlety. This Jaghut not only knows of Kallor, he knows of Nimander and his siblings. The evidence that this meeting isn’t serendipity continues to build.
‘You spoke of a wolf god,’ Skintick said. ‘You began to tell us a story.’
‘So I did. But you must be made to understand. It is a question of essences. To see a wolf and know it as pure, one must possess an image in oneself of a pure wolf, a perfect wolf.’
‘Ridiculous,’ Kallor grunted. ‘See a strange beast and someone tells you it is a wolf — and from this one memory, and perhaps a few more to follow, you have fashioned your image of a wolf. In my empires, philosophers spewed such rubbish for centuries, until, of course, I grew tired of them and had them tortured and executed.’
This sequence of dialogue is fantastic and reminds me of arguments foagainst the strong/weak Sapir-Whorf hypothesis/es. We see the Jaghut musing on a seemingly prescriptive Platonic idealism that Kallor interrupts with a more descriptive, pragmatic, empirical framework in which he follows with a jest of torturing and executing philosophers (remind me to never live in the Kallorian Empire).
Kallor speaks as if his words contradict the Jaghut and show the assumed idealism to be wrong. But, by Kallor’s own argument, the Jaghut’s words of ‘pure’ and ‘perfect’ are just as empirically contingent to one’s memories as ‘wolf’ is. The combinations of signs and symbols language users use give flesh to those signs’ and symbols’ own meaning — but bury that meaning beneath the flesh by doing so. The concept of a ‘perfect wolf’ (i.e., ‘perfect’ + ‘wolf’) emerging from one’s own contingency with the notion of ‘perfect’ and ‘wolf’ is entirely possible without that imagined ‘perfect wolf’ being actually some idealisation, i.e., some Platonic Perfect Wolf.
The Jaghut responds with laughter to Kallor’s absurdity: both in his misinterpretation of the Jaghut’s musings as well as the nature of Kallor’s brutal reaction to those that question things he finds to be rubbish. This pairs well with Skintick’s future POV in this sequence, but the contrast between Kallor and this Jaghut is entertaining nonetheless. Sometimes it’s hard to distinguish when Kallor is telling the truth about his brutality or if his mutterings are just words congruent to his reputation.
The two then have a pissing contest. We find out the Jaghut was in disguise — I don’t have the evidence or time here to say, but there are ideas that this particular Jaghut is a d'ivers and it is fucking awesome even if untrue. The discussion here points to some T’lan Imass’ Jaghut War. It being the Kron, I’m inclined to wonder if there is a relationship with the bones Karsa stumbles upon in HoC (where he and his war party find Calm).
Skintick squatted to pick up two of the cups, straightening to hand one to Nimander. The steam rising from the tea was heady, hinting of mint and cloves and something else. The taste numbed his tongue.
take candy from strangers
tea from Jaghut, people.
We find out that Raest is this Jaghut’s child. We find out that this Jaghut took on 43 T’lan Imass and a Bonecaster, killing them all. This is a threat rallied back against Kallor’s assertion that he’s killed Jaghut.
Teeth bared, Kallor bent down to retrieve his cup.
The Jaghut’s left hand shot out, closing about Kallor’s wrist. ‘You wounded that wolf god,’ he said.
Oh shit. What follows is one of the first times I can recall that Kallor is scared
. Contrast with his earlier treatment of Rake as equal.
'Oh, be quiet, Kallor. This tower was an Azath once. Shall I awaken it for you?’
Wondering, Nimander watched as Kallor backed towards the entrance, eyes wide in that weathered, pallid face, the look of raw recognition dawning. ‘Gothos, what are you doing here?’
‘Where else should I be? Now remain outside — these two Tiste Andii must go away for a while.’
The revelation: the Jaghut is none other than the Lord of Hate himself, Gothos
. You can understand why Kallor, always so arrogant, submits to Gothos and listens to his instruction.
Immediately after the reveal, Skintick and Nimander succumb to the effects of whatever extra ingredient Gothos had slipped into their tea. We get this final sequence:
Nimander’s eyes were drawn once more to the walls of ice. Black depths, shapes moving within.
He staggered, reached out his hands–
‘Oh, don’t step in there–’
And then he was falling forward, his hands passing into the wall before him, no resistance at all.
‘Nimander, do not–’
Again, the readers eyes are drawn along with Nimander's to the icy, abyss-like, objectifying, Gazing threshold. Here's where the sublime and the weird really flavour the setting in this scene.
There's a bell’s echo here from the start of this scene: this sequence starts with Nimander discussing the uncertainty related to moving through a portal with Andarist away from the rest of his kin, a breaching. During these final lines of this first scene, we get a tension between us and the unknown, between what has happened and that-which-is-to-come, between what we’ve imagined about Malazan’s cosmos and some contorting of those assumptions. What’s beyond the veil decentres not only Nimander in its draw and pushing him to being-for-others, but it decentres the readers too. Hic sunt dracones
, terra incognita, the sublime, the enigmatic, the terror. We’re made to feel small and inconsequential by this icy threshold.
It isn’t mysterious because it evades our Gaze like other fantastical things (e.g., many renditions of some archetypal tricksters found within various folklores), instead it invites our Gaze eventually since It Gazes back (almost Nietzschean).
Calling back to the genre conventions, this extended scene is one that definitely plays with the established conventions of Gothic literature and its descendants. Constantly, Erikson hits us with tension sewn into his choice of words in Nimander’s ruminations, his angst associated to diaspora, the notion of Dal Honese ancestors gazing upon their descendants from clay walls, absent ancestors that too haunt the same, the fields of scarecrows as desiccated (and harvested) bodies of worshippers, the alien plant-life, the ancient Jaghut tower, the ice threshold. Each of these (and those unmentioned) add onto to the dissociation (de-centering) of both Nimander and us, the readers. Each of us seem small and inconsequential to the dynamism of the cosmos: everything we know, including that of what we already know about the Malazan universe (and our own) can be challenged. We’re each just travellers who have stumbled upon a shattered visage in the desert that reads: “My name is Ozymandias, King of Kings. Look on my Works, ye Mighty, and despair!”
This stands in contrast to — almost a revolution against — the modalities one can garnish from the Enlightenment and post-Enlightenment that favour an almost religious rationalism and positivism. This is why I believe (and hope I have shown) that the existentialist (and those schools of thought peripheral to it) lens is apt. The genealogy of Gothic literature serves as a grammatical sandbox that gives way to exploring the things that existentialism tries to frame in its study, such as the dread and anxieties — the nothingness (no thing-ness) — of being.
Not only are the Dal Honese clay-filled ancestors present to alienate the reader by entertaining a certain ‘exoticism’ (by the readers’ juxtaposing such practices against what we consider ‘normal’ — here's where Sartre is applied to White or Male Gazes), but they are there as conduits for understanding how Nimander is affected by Others, by their Looks — his siblings, his absent father, his dead uncle, Kallor, Gothos, and the icy threshold — even if this ‘othering’ is one done only by Nimander onto himself (the house settling perceived as a footfall). This becomes more important in the scenes that follow.
So, how does this relate to the Eleint, dragonblood or sorcery? If you want to know now, please read ahead in the text — i.e., he future scenes in this sequence in Chapter 8 of TtH — you’ll find out. Otherwise, I’ll attempt to provide more clarity in the follow-up post(s). Until then, I just want put forth some questions:
- Are the Eleint actually dragons in the usual fantastical/conventional sense, or are they something different, something alien, something terrifying, something that evokes horror?
- If meaning-making (and, as such, essentializing) — according to my reading of existentialism — is a choice of ascribing/burying the Real with its facticity, what does this mean for K’rul’s warrenification and the birth of sorcery? What does this mean for aspecting, particularly for the Eleint and the Azathanai?
Beyond those questions (which align with my grander narrative shared in this collection of essays) — in regards to the plot, I think it is smart to continue asking, ‘why has Gothos ensured that Anomander’s children and Kallor would stumble upon his tower?’ 1
the facticity of what can be understood as objective states ascribed to things, including social constructions — thing-ness — e.g., how things are thrown into the world, a mode of existence that simply is, the contingent being of ordinary things, such the language(s) one speaks, one’s occupation, etc. 2
the mode of existence of consciousness that stands in contrast to being-in-itself, “no thing-ness”, that which negates being-in-itself
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2023.05.30 04:27 socialcontractlawyer Jesus (1973) - Thought this nativity scene was kind of delightful
2023.05.30 04:06 Kink_Notes Small batch massage candles
Massage candles are a great alternative to wax play if you don't want to get so messy! They're also great to soothe sore muscles and irritated skin after a scene.
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to KinkyKrafts [link] [comments]
2023.05.30 04:04 Proletlariet Zero
"Spirits of the realm of magic, gather into my wings! Burn and consume the evil magic! I am Zero, the Winged Knight!"
One of the five Royal Knights of Lacora, Zero tried to defend his princess when the forces of the Dark Axis attacked, only to be sent away through a portal as he watched her petrify beneath him. This was to fulfill a prophecy, that one day Zero would return with the means to undo the petrification that now covered his homeland. Over a year passed before Zero would find himself in Neotopia, fighting the Dark Axis alongside Captain Gundam. While he would initially be hostile to him and Shute, they soon formed the Gundam Force together in a combined effort to fight against the Dark Axis. Using both his swordplay and magic, Zero fights with both honour and nobility, determined to not lose another princess.
Magic Zero requires his Buster Sword to use magic, with the seeming exception of those under 'conjuration'.
Shields / Barriers
Feather Dragon Fusion While many magical beasts live in Lacroa, there are a few known to be high above the others: The Summoned Beasts, creatures who could be called to whoever they perceive as their master, fusing with them and increasing their abilities. While there was thought to only be four such creatures, there was actually a fifth, lying dormant in a spirit egg until it was collected and awoken by Zero as part of the prophesy to save Lacroa. While initially unassuming, being a cute fluffball that only ever said 'fenn' (leading to his name), he would soon take on his true form as the legendary feathered dragon. Like this, he can fuse with Zero, increasing his abilities.
Zero holds one of Fenn's feathers in his chestpiece, which has been shown to shoot out a beam of energy to call Fenn to him. In this situation, they were in a space between dimensions, but he also had no idea Fenn was nearby after being lost to a crack into said space. Usually, Zero can fuse with Fenn whenever he's nearby, though he's often far away in places unknown
Fenn On His Own
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2023.05.30 03:45 Junior_Button5882 Spring-heeled Jack
| || |Spring-heeled Jack submitted by Junior_Button5882 to cryptid_world [link] [comments]
is an entity in English folklore
of the Victorian era
. The first claimed sighting of Spring-heeled Jack was in 1837.
Later sightings were reported all over the United Kingdom and were especially prevalent in suburban London, the Midlands
) and Scotland
There are many theories about the nature and identity of Spring-heeled Jack. This urban legend
was very popular in its time, due to the tales of his bizarre appearance and ability to make extraordinary leaps, to the point that he became the topic of several works of fiction.
Spring-heeled Jack was described by people who claimed to have seen him as having a terrifying and frightful appearance, with diabolical physiognomy
, clawed hands, and eyes that "resembled red balls of fire". One report claimed that, beneath a black cloak, he wore a helmet and a tight-fitting white garment like an oilskin
. Many stories also mention a "Devil-like" aspect. Others said he was tall and thin, with the appearance of a gentleman
. Several reports mention that he could breathe out blue and white flames and that he wore sharp metallic claws at his fingertips. At least two people claimed that he was able to speak comprehensible English.
In the early 19th century, there were reports of ghosts
that stalked the streets of London. These human-like figures were described as pale; it was believed that they stalked and preyed on lone pedestrians. The stories told of these figures formed part of a distinct ghost tradition in London which, some writers have argued, formed the foundation of the later legend of Spring-heeled Jack.
The most important of these early entities was the Hammersmith Ghost
, which in 1803 and 1804 was reported in Hammersmith
on the western fringes of London; it would later reappear in 1824. Another apparition, the Southampton ghost, was also reported as assaulting individuals in the night. This particular spirit bore many of the characteristics of Spring-heeled Jack, and was reported as jumping over houses and being over 10 ft (3.0 m) tall.
📷Illustration of Spring-heeled Jack, from the serial Spring-heel'd Jack: The Terror of London
The first alleged sightings of Spring-heeled Jack were made in London in 1837 and the last reported sighting is said in most of the secondary literature to have been made in Liverpool
According to much later accounts, in October 1837 a girl by the name of Mary Stevens was walking to Lavender Hill
, where she was working as a servant, after visiting her parents in Battersea
. On her way through Clapham Common
, a strange figure leapt at her from a dark alley. After immobilising her with a tight grip of his arms, he began to kiss her face, while ripping her clothes and touching her flesh with his claws, which were, according to her deposition, "cold and clammy as those of a corpse". In panic, the girl screamed, making the attacker quickly flee from the scene. The commotion brought several residents who immediately launched a search for the aggressor, but he could not be found.
The next day, the leaping character is said to have chosen a very different victim near Mary Stevens' home, inaugurating a method that would reappear in later reports: he jumped in the way of a passing carriage
, causing the coachman
to lose control, crash, and severely injure himself. Several witnesses claimed that he escaped by jumping over a 9 ft (2.7 m) high wall while cackling with a high-pitched, ringing laughter.
Gradually, the news of the strange character spread, and soon the press
and the public gave him the name "Spring-heeled Jack".
Official recognition https://preview.redd.it/jytvtv4e0x2b1.png?width=220&format=png&auto=webp&s=bbfecf735cbe5ba58bb9116ad5b26c8bc0f8b26b
📷A public session at the Mansion House, London (c. 1840).
A few months after these first sightings, on 9 January 1838, the Lord Mayor of London
, Sir John Cowan
), revealed at a public session held in the Mansion House
an anonymous complaint that he had received several days earlier, which he had withheld in the hope of obtaining further information. The correspondent, who signed the letter "a resident of Peckham
It appears that some individuals (of, as the writer believes, the highest ranks of life) have laid a wager with a mischievous and foolhardy companion, that he durst not take upon himself the task of visiting many of the villages near London in three different disguises—a ghost, a bear, and a devil; and moreover, that he will not enter a gentleman's gardens for the purpose of alarming the inmates of the house. The wager has, however, been accepted, and the unmanly villain has succeeded in depriving seven ladies of their senses, two of whom are not likely to recover, but to become burdens to their families. At one house the man rang the bell, and on the servant coming to open door, this worse than brute stood in no less dreadful figure than a spectre clad most perfectly. The consequence was that the poor girl immediately swooned, and has never from that moment been in her senses. The affair has now been going on for some time, and, strange to say, the papers are still silent on the subject. The writer has reason to believe that they have the whole history at their finger-ends but, through interested motives, are induced to remain silent.
Though the Lord Mayor seemed fairly sceptical, a member of the audience confirmed that "servant girls about Kensington
, Hammersmith and Ealing
, tell dreadful stories of this ghost or devil". The matter was reported in The Times
on 9 January, other national papers on 10 January and, on the day after that, the Lord Mayor showed a crowded gathering a pile of letters from various places in and around London complaining of similar "wicked pranks". The quantity of letters that poured into the Mansion House suggests that the stories were widespread in suburban London. One writer said several young women in Hammersmith had been frightened into "dangerous fits" and some "severely wounded by a sort of claws the miscreant wore on his hands". Another correspondent claimed that in Stockwell
several people had died of fright and others had had fits; meanwhile, another reported that the trickster had been repeatedly seen in Lewisham
The Lord Mayor himself was in two minds about the affair: he thought "the greatest exaggerations" had been made, and that it was quite impossible "that the ghost performs the feats of a devil upon earth", but on the other hand someone he trusted had told him of a servant girl at Forest Hill
who had been scared into fits by a figure in a bear's skin; he was confident the person or persons involved in this "pantomime
display" would be caught and punished.
The police were instructed to search for the individual responsible, and rewards were offered.[citation needed
A peculiar report from The Brighton Gazette
, which appeared in the 14 April 1838 edition of The Times
, related how a gardener in Rosehill, Sussex, had been terrified by a creature of unknown nature. The Times
wrote that "Spring-heeled Jack has, it seems, found his way to the Sussex coast", even though the report bore little resemblance to other accounts of Jack. The incident occurred on 13 April, when it appeared to a gardener "in the shape of a bear or some other four-footed animal". Having attracted the gardener's attention by a growl, it then climbed the garden wall and ran along it on all fours, before jumping down and chasing the gardener for some time. After terrifying the gardener, the apparition scaled the wall and made its exit. https://preview.redd.it/hol89ejg0x2b1.png?width=220&format=png&auto=webp&s=73f26529755347a19498d549c187bc17a8ab03b8
Scales and Alsop reports
📷Illustration of Spring-heeled Jack, from the 1867 serial Spring-heel'd Jack: The Terror of London
Perhaps the best known of the alleged incidents involving Spring-heeled Jack were the attacks on two teenage girls, Lucy Scales and Jane Alsop. The Alsop report was widely covered by the newspapers, including a piece in The Times
while fewer reports appeared in relation to the attack on Scales. The press coverage of these two attacks helped to raise the profile of Spring-heeled Jack.[citation needed
Jane Alsop reported that on the night of 19 February 1838, she answered the door of her father's house to a man claiming to be a police officer, who told her to bring a light, claiming "we have caught Spring-heeled Jack here in the lane". She brought the person a candle, and noticed that he wore a large cloak. The moment she had handed him the candle, however, he threw off the cloak and "presented a most hideous and frightful appearance", vomiting blue and white flame from his mouth while his eyes resembled "red balls of fire". Miss Alsop reported that he wore a large helmet and that his clothing, which appeared to be very tight-fitting, resembled white oilskin. Without saying a word he caught hold of her and began tearing her gown with his claws which she was certain were "of some metallic substance". She screamed for help, and managed to get away from him and ran towards the house. He caught her on the steps and tore her neck and arms with his claws. She was rescued by one of her sisters, after which her assailant fled.
On 28 February 1838,
nine days after the attack on Miss Alsop, 18-year-old Lucy Scales and her sister were returning home after visiting their brother, a butcher who lived in a respectable part of Limehouse
. Miss Scales stated in her deposition to the police that as she and her sister were passing along Green Dragon Alley, they observed a person standing in an angle of the passage. She was walking in front of her sister at the time, and just as she came up to the person, who was wearing a large cloak, he spurted "a quantity of blue flame" in her face, which deprived her of her sight, and so alarmed her, that she instantly dropped to the ground, and was seized with violent fits which continued for several hours.
Her brother added that on the evening in question, he had heard the loud screams of one of his sisters moments after they had left his house and on running up Green Dragon Alley he found his sister Lucy on the ground in a fit, with her sister attempting to hold and support her. She was taken home, and he then learned from his other sister what had happened. She described Lucy's assailant as being of tall, thin, and gentlemanly appearance, covered in a large cloak, and carrying a small lamp or bull's eye lantern similar to those used by the police. The individual did not speak nor did he try to lay hands on them, but instead walked quickly away. Every effort was made by the police to discover the author of these and similar outrages, and several persons were questioned, but were set free. https://preview.redd.it/h1oqafgj0x2b1.png?width=220&format=png&auto=webp&s=4fd9152b2fb9ed1a2a54a49ecd7d96c8d7525b3b
reported the alleged attack on Jane Alsop on 2 March 1838 under the heading "The Late Outrage at Old Ford".
This was followed with an account of the trial of one Thomas Millbank, who, immediately after the reported attack on Jane Alsop, had boasted in the Morgan's Arms that he was Spring-heeled Jack. He was arrested and tried at Lambeth Street court. The arresting officer was James Lea, who had earlier arrested William Corder, the Red Barn Murderer
. Millbank had been wearing white overalls
and a greatcoat
, which he dropped outside the house, and the candle he dropped was also found. He escaped conviction only because Jane Alsop insisted her attacker had breathed fire, and Millbank admitted he could do no such thing. Most of the other accounts were written long after the date; contemporary newspapers do not mention them.[citation needed
📷Ad for Spring Heeled Jack
, a penny dreadful
After these incidents, Spring-heeled Jack became one of the most popular characters of the period. His alleged exploits were reported in the newspapers and became the subject of several penny dreadfuls
and plays performed in the cheap theatres that abounded at the time. The devil was even renamed "Spring-heeled Jack" in some Punch and Judy
shows, as recounted by Henry Mayhew
in his London Labour and the London Poor
This here is Satan,-we might say the devil, but that ain't right, and gennelfolks don't like such words. He is now commonly called 'Spring-heeled Jack;' or the 'Rossian Bear,' – that's since the war. — Henry Mayhew, London Labour and the London Poor, p. 52
But, even as his fame was growing, reports of Spring-heeled Jack's appearances became less frequent if more widespread. In 1843, however, a wave of sightings swept the country again. A report from Northamptonshire
described him as "the very image of the Devil himself, with horns and eyes of flame", and in East Anglia
reports of attacks on drivers of mail coaches
became common. In July 1847 "a Spring-heeled Jack investigation" in Teignmouth, Devon led to a Captain Finch being convicted of two charges of assault against women during which he is said to have been "disguised in a skin coat, which had the appearance of bullock's hide, skullcap, horns and mask".
The legend was linked with the phenomenon of the "Devil's Footprints
" which appeared in Devon
in February 1855.[citation needed
In the beginning of the 1870s, Spring-heeled Jack was reported again in several places distant from each other. In November 1872, the News of the World
reported that Peckham was "in a state of commotion owing to what is known as the "Peckham Ghost", a mysterious figure, quite alarming in appearance". The editorial pointed out that it was none other than "Spring-heeled Jack, who terrified a past generation".
Similar stories were published in The Illustrated Police News
. In April and May 1873, it reported there were numerous sightings in Sheffield
of the "Park Ghost", which locals also came to identify as Spring-heeled Jack.
📷North Camp in Aldershot
as it looked in 1866.
This news was followed by more reported sightings, until in August 1877 one of the most notable reports about Spring-heeled Jack came from a group of soldiers in Aldershot Garrison
. This story went as follows: a sentry on duty at the North Camp peered into the darkness, his attention attracted by a peculiar figure "advancing towards him." The soldier issued a challenge, which went unheeded, and the figure came up beside him and delivered several slaps to his face. A guard shot at him, with no visible effect; some sources claim that the soldier may have fired blanks
) at him, others that he missed or fired warning shots. The strange figure then disappeared into the surrounding darkness "with astonishing bounds." Lord Ernest Hamilton
's 1922 memoir Forty Years On
mentions the Aldershot appearances of Spring-heeled Jack; however, he (apparently erroneously) says that they occurred in the winter of 1879 after his regiment, the 60th Rifles
, had moved to Aldershot, and that similar appearances had occurred when the regiment was barracked at Colchester
in the winter of 1878. He adds that the panic became so great at Aldershot that sentries were issued ammunition and ordered to shoot "the night terror" on sight, following which the appearances ceased. Hamilton thought that the appearances were actually pranks, carried out by one of his fellow officers, a Lieutenant Alfrey.
However, there is no record of Alfrey ever being court-martialled for the offence.
In the autumn of 1877, Spring-heeled Jack was reportedly seen at Newport Arch
, in Lincoln
, wearing a sheep skin. An angry mob supposedly chased him and cornered him, and just as in Aldershot a while before, residents fired at him to no effect. As usual, he was said to have made use of his leaping abilities to lose the crowd and disappear once again.
By the end of the 19th century the reported sightings of Spring-heeled Jack were moving towards the north west of England. Around 1888, in Everton
, north Liverpool, he allegedly appeared on the rooftop of Saint Francis Xavier's Church
in Salisbury Street. In 1904 there were reports of appearances in nearby William Henry Street.
Aftermath and impact upon Victorian popular culture
The vast urban legend built around Spring-heeled Jack influenced many aspects of Victorian life, especially in contemporary popular culture
. For decades, especially in London, his name was equated with the bogeyman
, as a means of scaring children into behaving by telling them if they were not good, Spring-heeled Jack would leap up and peer in at them through their bedroom windows, by night.
However, it was in fictional entertainment where the legend of Spring-heeled Jack exerted the most extensive influence, owing to his allegedly extraordinary nature. Three pamphlet publications, purportedly based on the real events, appeared almost immediately, during January and February, 1838. They were not advertised as fiction, though they likely were at least partly so. The only known copies were reported to have perished when the British Library
was hit during The Blitz
, but their catalog still lists the first one.
The character was written into a number of penny dreadful
stories during the latter half of the 19th century, initially as a villain and then in increasingly heroic roles. By the early 1900s he was being represented as a costumed, altruistic avenger of wrongs and protector of the innocent, effectively becoming a precursor to pulp fiction
and then comic book superheroes
No one was ever caught and identified as Spring-heeled Jack; combined with the extraordinary abilities attributed to him and the very long period during which he was reportedly at large, this has led to numerous and varied theories of his nature and identity.[citation needed
] While several researchers seek a normal explanation for the events, other authors explore the more fantastic details of the story to propose different kinds of paranormal
Sceptical investigators have dismissed the stories of Spring-heeled Jack as mass hysteria
which developed around various stories of a bogeyman
or devil which have been around for centuries, or from exaggerated urban myths about a man who clambered over rooftops claiming that the Devil was chasing him.
📷Henry de La Poer Beresford
, 3rd Marquess of Waterford (1840)
Other researchers believe that some individual(s) may have been behind its origins, being followed by imitators later on.
Spring-heeled Jack was widely considered not to be a supernatural creature, but rather one or more persons with a macabre sense of humour.
This idea matches the contents of the letter to the Lord Mayor, which accused a group of young aristocrats as the culprits, after an irresponsible wager.
A popular rumour circulating as early as 1840 pointed to an Irish nobleman
, the Marquess of Waterford
, as the main suspect. Haining
) suggested this may have been due to him having previously had bad experiences with women and police officers.
The Marquess was frequently in the news in the late 1830s for drunken brawling, brutal jokes and vandalism, and was said to do anything for a bet; his irregular behaviour and his contempt for women earned him the title "the Mad Marquis", and it is also known that he was in the London area by the time the first incidents took place. In 1880 he was named as the perpetrator by E. Cobham Brewer
, who said that the Marquess "used to amuse himself by springing on travellers unawares, to frighten them, and from time to time others have followed his silly example."
In 1842, the Marquess married and settled in Curraghmore House, County Waterford
, and reportedly led an exemplary life until he died in a riding accident in 1859.[citation needed
Sceptical investigators have asserted that the story of Spring-heeled Jack was exaggerated and altered through mass hysteria, a process in which many sociological issues may have contributed. These include unsupported rumours, superstition, oral tradition
publications, and a folklore rich in tales of fairies
and strange roguish creatures. Gossip of alleged leaping and fire-spitting powers, his alleged extraordinary features and his reputed skill in evading apprehension captured the mind of the superstitious public—increasingly so with the passing of time, which gave the impression that Spring-heeled Jack had suffered no effects from ageing. As a result, a whole urban legend was built around the character, being reflected by contemporary publications, which in turn fuelled this popular perception.
📷Spring-heeled Jack illustrated on the cover of the 1904 serial Spring-heeled Jack
A variety of wildly speculative paranormal explanations have been proposed to explain the origin of Spring-heeled Jack, including that he was an extraterrestrial
entity with a non-human appearance and features (e.g., retro-reflective
red eyes, or phosphorus
breath) and a superhuman
agility deriving from life on a high-gravity world, with his jumping ability and strange behaviour,
and that he was a demon
, accidentally or purposefully summoned into this world by practitioners of the occult
, or who made himself manifest simply to create spiritual turmoil. Fortean
authors, particularly Loren Coleman
and Jerome Clark
list "Spring-heeled Jack" in a category named "phantom attackers", with another well-known example being the "Mad Gasser of Mattoon
". Typical "phantom attackers" appear to be human, and may be perceived as prosaic criminals, but may display extraordinary abilities (as in Spring-heeled Jack's jumps, which, it is widely noted, would break the ankles of a human who replicated them) and/or cannot be caught by authorities. Victims commonly experience the "attack" in their bedrooms, homes or other seemingly secure enclosures. They may report being pinned or paralysed, or on the other hand describe a "siege" in which they fought off a persistent intruder or intruders. Many reports can readily be explained psychologically, most notably as the "Old Hag" phenomenon
, recorded in folklore and recognised by psychologists as a form of hallucination. In the most problematic cases, an "attack" is witnessed by several people and substantiated by some physical evidence, but the attacker cannot be verified to exist.[citation needed
Counterpart in Prague
A similar figure known as Pérák, the Spring Man of Prague
was reported to have been seen in Czechoslovakia
around 1939–1945. As writers such as Mike Dash
have shown, the elusiveness and supernatural leaping abilities attributed to Pérák bear a close resemblance to those exhibited by Spring-heeled Jack, and distinct parallels can be drawn between the two entities.
The stories of Pérák provide a useful example of how the traits of Spring-heeled Jack have a broad cultural resonance in urban folklore. Pérák, like Spring-heeled Jack, went on to become a folklore hero, even starring in several animated superhero cartoons, fighting the SS
, the earliest of which is Jiří Trnka
's 1946 film Pérák a SS
or Springman and the SS
In contemporary popular culture
The character of Spring-heeled Jack has been revived or referenced in a variety of 20th and 21st century media, including: Spring-Heeled Jack
(1989) – a combination prose and graphic novel by Philip Pullman
in which Spring-heeled Jack saves a group of plucky orphans from the malevolent Mack the Knife. The Strange Affair of Spring-Heeled Jack
(2010) – an alternate history novel by author Mark Hodder, portraying Spring-Heeled Jack as a time traveler. The Springheel Saga
(2011) – a three-series audio drama produced by the Wireless Theatre Company.
2023.05.30 03:35 Master_Antelope What if I Rewrote Miraculous? (Season 4, Eps 1-13) (minor spoilers for S5)
Sorry I've been gone for a bit, I had a storyline to finish up and a few bad bouts of writer's block, but I managed to get to this finished up! Here's Season 4, eps 1-13! Be sure to leave some feedback!
Season 4 (March-April):
- Truth: First change (shared with Lies): Lukanette/Adrigami are clearly established to have been a thing over multiple weeks/a month, with the NY special being the second(?) time they’re truly established. I doubt it’s truly satisfactory, but stuff still has to work within this specific season/the larger narrative, so… eh. Second change: Andrew Hendrol is present for the concert on the Liberty (“I might have to challenge you guys to a battle of the bands one day.”) and slips off to transform into Dragonus just before Luka arrives akumatized. He absorbs Truth/Eyebeam’s (renamed Light Eye) powers then buggers off to appear later in Lies. Third change: Shadow Moth’s design. While I personally like it, it wasn’t terribly popular. So here's a slight redesign: the main body can stay the same with its purple overcoat and black lapels but make the purple a bit darker and the lapel is the same as it was on Hawk Moth. His cowl is now a chromed blue with a peacock feather “eye” right on the forehead instead of his Zuko monocle. His skin turns indigo like Mayura’s and his eyes are like Duusu’s, but more malevolent. The biggest change to his costume is the function of the tailcoat itself: its tail is like a male peacock’s train, long and vibrant blue with pinkish feather eyes in the back, and it opens and spreads in reaction to his emotions. For example, if he’s pleased or angry, it opens up and spreads out behind him, and if he’s exasperated/neutral, it folds back down. Fourth change: Marinette’s transformation into Ladybug is fixed this time around.
- Lies: First change: Marinette isn’t as fan-girly over the Adrien life showing, instead wondering if he’s doing alright with his schedule. Tikki and the others assure her that he’s probably used to it, and she doesn’t have to be so worried about it. Of course, this doesn’t dissuade her nerves, especially not when the modeling session the show films has Lila in it. Second change: The art room scene gets a couple added lines of dialogue (“Adrien. Our parents raised us for perfection, but we don’t need that. We’re already perfect. We’re perfect. Just show me your truth.” “But… I’m not sure what that truth is.” “Let me show you.”) before their class starts. Third change: the Hendrols are present for Prince Ali’s birthday party – it’s why Dragonus skedaddled from the fight – and Andrew manages to hide and transform without anyone noticing, avoiding Lies’ sphere. Even Dragonus can’t risk touching the sphere, even if his cravings for power – much like a vampire – don’t go away.
- Gang of Secrets: First change: Tikki attempts to console Marinette after she talks about worrying about Shadow Moth and Dragonus (“Well, Duusu had always been a bit chaotic. I could imagine that he might be causing Shadow Moth a problem or two. As for Dragonus… he can’t have it much better than you right now, right?”), which cuts to Andrew Hendrol and the Dark kwamis all having a dance party to unknown song that sounds suspiciously similar to “Hips Don’t Lie”. Second change: Instead of the girls just barging up, Tom and Sabine give them permission to go up and check on Marinette. “She hasn’t been answering for us, maybe she will for you.” And the dollhouse doesn’t break from Rose taking off the roof. Rather, Rose trips on something – maybe a roll of thread or a screwdriver or loose paper – and knocks into it. Same result, though, but Alya rightfully calls Mari out: “Okay, Marinette, something is really wrong with you. I’m sorry we can in uninvited, but your parents said we needed to check up on you, and I’m sorry Rose broke the house, but it was a complete accident and you’re blowing up over it. There’s more going on here than just boy trouble, isn’t there? We’re your friends, girl, we want to help.” To which Mari replies: “Maybe I don’t want your help, or your friendship anymore. Get out!” Third change: Dragonus swoops in during the fight and knocks around the Gang of Secrets himself after LB catches Lady Wifi, which inadvertently gives LB time to talk LW into rejecting her powers. Fourth change: Rena Rouge doesn’t look as off in this episode, where her skin was a few tones too light. Dunno if it was intentional, but that still could be fixed. The episode ends as normal.
- Mr. Pigeon 72: First change: a biggie. Alya acknowledges Lila’s number of akumatizations and says, “You know, even if you couldn’t tell me about Lila’s lying about being BFFs with Ladybug, you still could’ve told me – or anyone, for that matter – about how she threatened you in the bathroom. No one threatens my BFF with impunity.” I know a lot of people were upset with Alya’s passiveness over the whole Lila situation, but this line will have impact throughout the rest of the rework. Second change: I found this out on a whim, but it turns out city pigeons are a kind of dove, so Bob Roth wasn’t entirely wrong. Fun. Third change: Andrew Hendrol is watching the evil pigeons transform people outside and figures out he can’t go out, transformed or not, without getting touched. Vorrath: “When has that stopped you before?” Andrew: “I’ve got it.” Cut to later, he invades the fight between the illusions and Mr. Pigeon in a giant mech made out of a sentimonster that he teleported into so he could fight. Overkill doesn’t begin to cover this guy. Fourth change: I’m tempted to change Ladybug’s Lucky Charm suit to her permanent one, but if I did, certain episodes wouldn’t have as much oomph later… hmmm. For now, her suit can stay the same.
- Psycomedian: Honestly don’t know what to do with this one, it’s a fairly solid little episode; funny, love square-y, gives Gabriel some background and Cat Noir some spotlight. I guess I can really just add Dragonus to the mix: Psycomedian tries his emotion-gimmick on him and he no-sells it (there is a lot, and I mean a lot of lore behind Dragonus/Andrew Hendrol, so I think it would be easier to link my original fics with him up to the point I’m at for posting and you can explore his background there, as well as his powers) then proceeds to quickly skirmish with Angrybug: “There’s the fire I sensed when I absorbed your powers! Why don’t you let loose like this a little more? Finish the job!” (Again, lore makes sense if you read my main fics, I’m sorry, but he’s such a big character in my works that I don’t know how to condense it down. I’ll try but expect that later.)
- Furious Fu: First change: I’m really, really confused as to why Fu and Marianne are not referred to as husband/wife or at least married. They would’ve gotten married, right? It’s not a thing that I or the fandom seem to be upset about, I’m just super confused, and if anyone is willing to enlighten me, I’d be thankful. For now, Fu and Marianne are a couple, husband and wife, like they should’ve been since Backwarder or before. Second change: During the fight between LB/CN and Su-Han, guess who shows up but Dragonus. Su-Han freezes for a moment, which gives LB/CN time to snatch the Miracle Box, but Su-Han tries to pull it back. SH: “Ladybug! You did not tell me the Dark Dragon Miraculous was in Paris!” CN: “Sounds like you never asked!” Dragonus: sarcastically “Aw, now you’ve hurt my feelings.” Draws sword and points it at SH. “So you’re the Celestial Guardian I heard about. Head honcho, I’m guessing.” SH turns his aggression towards Dragonus. SH: “You and your kind are a blighted spot amongst the history of the Miraculous, demon!” Lunges. “Heavenly Retribution! The Righteous Will of the Justiciar Breaks the World’s Evil!” Dragonus dodges most of the attacks and matches a few of them, but Su-Han lands one good punch to the stomach. Dragonus: “growls Alright, then. You aren’t as much of a pushover as they are… or the Guardians at the Temple were. If we’re going to talk in metaphors, here's mine.” Flies away from SH and presses center of sword, opening a compartment and pulls out a purple pendant on a chain, emblazoned with a stylized T-rex face. “The grand unity of dinosaurs and dragons humbles the arrogant monk. Rexx, Vorrath, Unify!” (See here for appearance: https://archiveofourown.org/works/42733506/chapters/114090748 use ctrl-F and search "Thero"). “Thero Dragon flies as the Dark Guardian!” This reveals to everyone present that Dragonus has more of the Dark Miraculouses at his disposal and subsequent “oh crap” from Su-Han reveals how serious it is. By this point, LB/CN ran off, Thero Dragon taunts Su-Han and flies off, then doesn’t return until the battle with Furious Fu in the stadium, where he absorbs FF’s powers and briefly fights LB/CN before flying off again, proclaiming that “You haven’t seen the last of Thero Dragon!”. Episode ends as normal, but Su-Han will appear again this rewrite before Ephemeral.
- Sole Crusher: Okay, major change time again. I know a lot – almost utterly ridiculously so – of people do/did not like Zoe in the slightest. But, since I’m trying to stay fairly… fair to the source material (while adding new and interesting concepts), we are including Zoe, only her introduction is going to be quite different. Zoe has come to Paris because her time at her boarding school was cut short due to complete and total bullying, and her own father, a man we know as Robert Lee from Audrey, is too distant to think of another arrangement within NY and sends her to Paris to be with her mother. So, Zoe is going to be quite sullen/angry with her situation, and this becomes apparent when Marinette runs into her. Marinette apologizes profusely, but Zoe gives her a glare and basically tells her to bugger off. Marinette, though, recognizes something is wrong and pries just a little more (and it’s framed as Marinette trying to keep Zoe from attracting Shadow Moth’s attention while simultaneously trying to help), and Zoe reveals a bit of what’s happened – including the one friend – but not the full story nor which family she’s living with. Marinette, being the all-but-Lila-loving hero she is, preps a bag for the new girl. “Even if life has been bitter, it helps to have something sweet!” Marinette says. Zoe gives her a strange look. “What’s your angle? Everyone has one. Why’re you helping me?” Zoe asks, confused and suspicious. Marinette blinks in surprise and shrugs. “It’s the right thing to do, especially when you’re in a new place. I gave you my number if you’d like to chat.” Zoe blinks twice, clearly surprised by the generosity and seeming genuine nature of the girl in front of her. “Okay, then. I guess I should give you mine so… you know.” Marinette holds out her hand. “So I don’t lose it.” The first step to breaking Zoe’s rough exterior has been taken, but said rough exterior still persists when Zoe arrives at the hotel. Another major change: Audrey, while trying to be more supportive of Chloe, still has her preferred child, and that preferred child is Zoe, because, and this will cause drama later, “Zoe is one of only four people in my life who don’t grovel at my feet.” Chloe walks into the lounge/dining hall and hears this and immediately goes nuclear, but her rant is cut short by Zoe snapping at her to “Shut your mouth, you little brat.” Chloe is, of course, horrifically offended, but Audrey breaks it up before it escalates and sends them to get to know each other better… which, given this Zoe, goes about as well as expected. She snaps at all of Chloe’s rules, throws the diamond heels, and when Chloe calls her a “horrible half-of-a-sister”, Zoe throws it right back at her. This back-and-forth continues to school, where Zoe doesn’t bend to Chloe’s whims, but instead blows up at her again – which inadvertently does two things: it proves that Zoe isn’t like Chloe, but she’s quote-unquote “bad” in other ways. Of course, someone – Andrew Hendrol – sees this whole debacle and comments, “Such a powerful response to Chloe’s bratty self, such a temper. Oh, yesss, I like her.” There’s still “scaring Damocles” and “Marinette/girls talk about Zoe and Chloe”, but it’s less of Chloe’s influence and more “wow she’s scary but I bet Chloe had something to do with it.” Marinette and Zoe’s text still goes through, and Chloe still snaps at her for texting Marinette, but Zoe just snaps at her. “It’s none of your business, Chloe.” Chloe, on the other hand, makes it her business and goes back to her notebook, eventually landing on cockroaches in the locker (reused material, really?) to punish Marinette, and Zoe actually stumbles, a haunted look in her eyes. She staggers out of the room (taking the heels with her) and out to the roof, prepping to throw the shoes away in anger (perhaps a metaphor for something more disturbing) before losing the will to and she just breaks, resting her head against the bar and starts to cry. Andre comes up to her, they talk, and Zoe reveals her original dream of acting. “I’m good at it, but then everyone expected a different Zoe and they pressured me and I broke and now I can’t think of acting or anything without getting angry… I don’t like being angry. Not with the people who don’t deserve it, not with Chloe, not with anyone… I just want to be me, but I’m scared that the angry one is me…” Andre sighs. “You know, it might be good for you to… put a little bit of time between your past and now. Choose what you want to put in the Dream Cellar, and once you’ve… adjusted, you can come get it. Or you can leave it. The choice is yours.” Zoe’s akumatization stays the same, the general akuma battle remains the same, except for Thero Dragon Siphoning off Sole Crusher’s powers and stomping a few civilians for big kaiju battle time while taunting Chloe (“You can run, but I know I’m in your nightmares!”), which provides LB/CN enough time to find the akumatized sneakers and break them. The barge scene is a little different: Zoe explains what happened, and while her backstory with the crowds and roaches hasn’t changed too much, she adds, “I had one friend, but even she wasn’t around very much… not enough to help me when I needed it. I don’t blame her, she had a rough childhood, too, but I still pent that up. I’m sorry you had to see my outbursts. I get it if you don’t want to be my friend.” Of course, huggy happiness still ensues, the Bourgeois confrontation still happens, though Chloe’s basis for her demands is “If she stays here, she’ll make me stress out and ruin my perfect me!” and her threat is to crush you like your NY classmates did, while Audrey just rolls her eyes. “Chloe, quit being melodramatic. I understand Zoe’s not been the best sister – which is a discussion we will have later – but she’s not going back to New York now. I’m certainly not going to be responsible for her return fares.” The episode ends with Andre asking Zoe to “Call me Dad. I know your father is… distant, and I don’t know if I can replace him, but-” Zoe hugs him. “Thanks, Dad. Promise me you’ll make the choice to take your past out of the cellar, too.” The episode ends the same, with a much happier Zoe thanking Marinette for everything as a photo album (with dates so we can at least see it was a week or two between this and Queen Banana!) plays across the screen.
- Queen Banana: First change: Chloe’s “half-of-a-sister” bit when she bursts into the art room is now “Giving the lead role to my half-of-a-sister who just came out of nowhere a week ago?!”, and all of the talk of going back to New York is replaced with snappy but ultimately toothless posturing about ruining her life. Zoe, of course, is having none of that and snaps back at her with “The only way you’re ruining this movie is if you pry it from our hands!” The art room scene ends the same way as in the original, but the scene in Bob Roth’s office is changed a little bit: Not as much mention of going back to New York and more mention of Chloe’s pride as she says “You said our hands, which apparently includes the producer’s hands, too. Oh, I love a good loophole!” Zoe is oddly okay with this and confidently whispers to the others “We just need to outlast her, trust me.” Second change: Andrew Hendrol is part of the filming crew – “Live soundtrack design” he calls it, while Chloe calls it useless – and escapes the ‘enchanted sleep’ part of the filming, and is shown to get increasingly more annoyed with Chloe, to the point of risking his secret identity as Thero Dragon by offering to play the fire-breathing dragon suggested by Alya (“Lemme do it, I’ll knock that role out of the park, just let me actually blast her with fire.”). Third change: After Marinette’s rousing soapbox speech, Zoe pats her on the shoulder. “See what I meant about outlasting her?” Fourth change: Not to be outdone, Everett Hendrol, Andrew’s father (who is also present in the theater unlike Gabriel, showcasing the closer relationship Everett has with his son than Gabriel does with his), has also chipped in some pocket change (an amount of several thousand euros in Europe money I guess), so the film is entirely cut off from the city’s funding and Chloe’s interference, and when Chloe runs off, Everett darkly chuckles once as Andrew calls out “Cry me a river, Queen Banana!” (Everett is aware of Chloe’s antics and the Hendrols as a family have no sympathy for those, especially the rich, who act like fools). Fifth change: Again, Chloe’s revenge plan isn’t to get Zoe sent back to NY, she’s going to crush Zoe in a way only she can come up with… which is banana. Sixth change: There’s less of a “my fault” moment from Zoe and that weird “promise” bit is gone, now it’s just Zoe deciding to face down her sister and give her a reality check. “You want to know why we waited until you were gone to shoot the movie? Why we talked Gabriel Agreste into funding it? It’s because no one could stand your bratty behavior! Not because we hate you, not because anyone turned against you, but because you couldn’t swallow your pride and work as part of the team. If this is how you acted as part of Ladybug’s team when you were Queen Bee, it’s no wonder you were kicked off!” Queen Banana gets infuriated, Ladybug saves Zoe, they scooter off into the subway, where Ladybug commends Zoe’s bravery, but definitely winces a little bit regarding Queen Bee. “Chloe, for all her faults, wasn’t terrible as Queen Bee, but she really had attachment issues to the Miraculous, even after I tried… and failed to explain to her that her secret identity was compromised. But I doubt I’ll have that issue with you. Zoe Lee, (insert Miraculous speech here).” Seventh change: Once Queen Banana’s banana gun is glued up and she realizes she’s about to lose and runs, guess what, Thero Dragon drops in front of her, triggering Chloe’s trauma from the Miracle Queen incident. Thero Dragon Siphons off Queen Banana’s banana powers for the fun of it, then activates the power of the Dark T-rex Miraculous, Silver Tongue, which manifests as a purple blast of energy that, if it hits a human target, allows the T-rex holder to manipulate the minds of their target… which Thero Dragon uses to break down all of Chloe’s confidence and restraints, all the while tormenting her with things like “Your mother hates you,” “Your so-called friends despise you,” and “You’re utterly ridiculous.” Ladybug and Cat Noir start driving him back, but he managed to do enough damage as he needed. “I don’t know why you bother defending a traitor,” he says. “She wouldn’t do the same for you.” Queen Banana by now has fallen back, crying, and freeing her from Shadow Moth is an act of mercy, but Chloe still refuses the Magical Charm based on her own (self-nurtured) hatred for Ladybug and Vesperia, both for replacing her and failing to save her from Thero Dragon. Eighth change: Chloe, in her anger, swings at Zoe when she declares her hate, only for Zoe to catch it way too fast and lower Chloe’s fist while she gives her speech, and once Chloe takes the Charm and the akuma is repelled, Andre steps in and reprimands her for trying to hit Zoe, even going so far as to… “Chloe Bourgeois, your behavior is becoming completely unacceptable. You are embarrassing yourself and your family. Give me your phone. You are hereby grounded for a week.” Chloe looks shocked. “WHAT?!?” Andre is stern. “I’ve failed as a father. I should’ve tried to keep your behavior in check when you acted out, and I see I’ve failed terribly. There are so many people we will have to apologize to, especially your classmates for everything you’ve done to them.” The episode ends with Marinette and Tikki wondering if this new approach to Chloe’s behavior will do anything good.
- Gabriel Agreste: First change: Shadow Moth’s monologue is merged with Gabriel’s scene in the mausoleum under the mansion, first with Gabriel with his back to Emilie’s coffin before he turns to face it. Second change: When Nathalie offers Gabriel half of her sandwich, he initially refuses (“You need your strength.”) and she insists, then he crumbles (“You’ll need your strength, too.” “…Alright. Thank you.”). Third change: Andrew Hendrol is not present at the art-room fairy-tale-comparison blah thing, but Zoe’s response to Marinette’s question changes to “My mother has been attempting to treat her kids equally. Unfortunately, that means when Chloe got grounded for a week, I had to miss out on the dinner party. Had I known this was gonna happen, I would’ve put up more of a fight.” Also because of this, Zoe is NOT in Marinette’s room, but she is patched into the whole conversation thanks to Max and Markov. Fourth change: Audrey Bourgeois is throwing glares at Andre (apparently over punishing Chloe) and takes note of the solitary gold-trimmed black mask shaped like a lion’s head. “Don’t tell me he’s coming. You invited Hendrol?” “I had to. Otherwise he’d invite himself and ruin everything unexpectedly. At least now we can expect it.” Continuing the trend, after the Tsurugis arrive at the party, a shiny silver sedan rolls into the front gate, and Everett and Andrew Hendrol step out. Everett is in a pure white suit, in complete contrast to the rest of the party, and the hostility in the air is palpable as the car mogul and his son enter the foyer. “Gabriel.” “Everett. I would… like to welcome you to the party. Though the dress code specified darker clothes for all attendees.” “Really? I didn’t notice that, but even if I had, my black suits are all being cleaned. This is all I had.” “Indeed. Your mask, as requested.” Everett weighs the black lion mask in his hand. “Well, it’s not quite the cut obsidian I had hoped, but given your work, I shouldn’t be surprised.” Gabriel is imperceptibly seething. “I must ask you to stow your device-” “Neither of us will do that, and your little scrambler isn’t going to work on it, either. Your tricks, Gabriel, have been done by men greater than you a thousand times. And I’m the only one still standing.” Of course, when Chloe and Marinette sneak into the ballroom, everyone is giving Everett Hendrol a wide berth as he’s drinking something. Sixth change: The transformation into Shadow Moth from civilian form is still “Nooroo, Duusu, Unify!” I always hated that Dual Metamorphosis nonsense. Seventh change: Andrew Hendrol is fiddling on his phone – the only one that works, but Chloe can’t take it bc he already slapped her hand – when people start to leave Adrien’s room. Eighth change: Gabriel’s threat to Felix is more explicitly “I just need to snap my fingers, and you will be thrown out of here and I will tell everyone the truth about what you did and what you are. Think of your mother, Felix. She’d be devastated to see her only son hauled off for stealing from me… or the Hendrols. Everett is easy enough to provoke, and all I’d have to do is blame whatever I do on you. He’d personally see your life become pure torment.” Ninth change: Thero Dragon pounces on the Collector and Siphons from him, chuckling darkly as he does. “Clever plan, Shadow Moth, clever plan, indeed. But you aren’t fooling anyone.” Tenth change: We get a second epilogue: after Gabriel’s scene, we cut to a scene in the Hendrol mansion. Everett Hendrol is sitting at his desk, watching a chess board on the surface. The white pieces are miniature statues of him and other people, including Andrew, the black pieces are mini statues of Paris’s elite and relations: Gabriel as the king, Emilie queen, Tomoe and Amelie as bishops, Audrey and Andre as knights, Bob Roth and one unknown person as castles, and the pawns are their kids (Adrien/Chloe/Kagami/Felix/XY and three blank ones). The pieces are all at rest like the beginning of a game, but the queen (Emilie) and one castle (as yet unknown) are lying down. Everett just smirks, moves one of the white pieces a space forward, then a black piece. Everett Hendrol declared war.
- Mega Leech: First change: Polymouse or Manimouse for Mylene’s super-name? I want public opinion on this. Second change: Andrew Hendrol is present at the “Stop Project Oxygen” rally and reveals a bit more depth to his character (and potentially a motivation for Thero Dragon): he is very conscientious about the environment, and he becomes increasingly annoyed with the ad and brutally picks it apart. “Two of my best friends’ parents work for the Hendrol Motors Advertising Division and this is exactly what they said a bad ad looks like. Also, Paris’s investors are brainless idiots who barely know how to stand up for themselves, let alone save the planet.” And he snaps at Chloe. “Wasting water? You mean like you do by existing? And don’t get your dad in this, my dad would destroy him.” All in all, he sides with Mylene first. “I’m getting my dad to counter-fund this scheme, he’s already gone to war.” Andrew then leaves right before the Minidiktators show up to transform into Thero Dragon. “After all, they can’t get me if my ears are covered.” Thero Dragon is just brutally attacking Mega Leech by himself… revealing a scary level of contempt for sentimonsters. Third change: The Minidiktator possessing Cat Noir is expelled through his real ear, not the cat one. Fourth change: Ladybug’s suit doesn’t weirdly swap between Lucky Charm suit and normal near the end, it just stays normal. The rest of the episode… ends as normal. Even that scene at the end.
- Guiltrip: I don’t really have too many problems with this episode, nor do I really remember any complaints about (though I’m sure I’ll be corrected in the comments), the most I can really think of is adjusting it to fit my current ideas. So… First change: Juleka speaks clearly and no one’s parroting her words. Second change: While the first half of the episode plays out the same, Andrew Hendrol is noticeably absent, but once the second half starts, he shows up and he’s very unhappy/unpleasant to be around. It’s explained that he had to take a day off for stomach flu (and, little lore bit, he’s always very temperamental after a bout of sickness). As such, he doesn’t have much in the way of patience for the second half’s antics, but unlike Chloe, he’s quietly stewing and not drawing too much attention to himself. This extends to the later fight within Guiltrip (after he leaves the science lab when he realizes the only ones left are him, Chloe, Sabrina and Lila), as his negative emotions as Thero Dragon end up being so bad that Guiltrip gets hurt by them… and he flies off the handle once a bubble pops against him. He cools off eventually, but yeah. Third change: No animation errors. God, this episode was a doozy.
- Crocoduel: First change: Luka acknowledges that Marinette hasn’t been around since Zoe first joined the group instead of not seeing her since their breakup. Gotta love the writers forgetting characters being in places at times ugh. Second change: Fix the animation errors. Third change: About half the partygoers (Mylene/Ivan/Rose/Nino/Alya) know that Jagged Stone is the twins’ father. Fourth change: The sky doesn’t immediately become overcast the moment Jagged and Anarka are akumatized. That was just weird. Fifth change: When Cat Noir complains that he and Ladybug don’t have wings, Thero Dragon flies over them and taunts “But I do!”, he flies up, Siphons from Guitar Villain and Captain Hardrock, then pits them further against each other for giggles. Then he reappears to Siphon off Purple Tigress’s power. Sixth change: The Tiger Miraculous transformation phrase is “Paint my Stripes!” not “Stripes On!”. The episode ends otherwise normally.
- Optigami: First change: As an extra precaution to keep potential suspicion from Ladybug away, Gabriel makes sure Audrey invites Adrien’s entire class plus two extra invitations that go to Luka and Kagami. Second change: The first elevator bit with the entire class is stupid, so it’s getting changed to “Andrew Hendrol (who is in the elevator) rolls his eyes and punches the close button while Marinette tries to avoid Alya”. Third change: Andrew Hendrol slips out just before Audrey gets akumatized and discreetly transforms into Thero Dragon, and he immediately picks up on the smell of Shadow Moth in the building. He starts prowling around the building, waiting for the right moment to strike. This moment comes when Style Queen is about to hit the elevator Marinette/Adrien are trapped in, just before Shadow Moth calls her off. He blindsides her with his clamp weapon, then disarms her (literally) with his sword before Voyaging to the floor below, cackling the whole time. Fifth change: When Ladybug realizes that “Nino” is actually a sentimonster and calls out Shadow Moth, “Nino” starts laughing as his eyes glow gold and his body starts to deform into a monstrous shape. Thero Dragon’s voice starts echoing out of it. “And to think you almost got revealed because of an ally’s actions, Ladybug,” he said. “First the Turtle brought out without your explicit orders, then what? Someone betrays you for the Miracle Box? The only way to protect what you hold dear is this: ally yourself with me, and I can grant you access to powers you could only dream of. Consider my offer, because if the trend continues, you might lose more than just your privacy because of a fake butterfly.” Ladybug runs off to get the Turtle Miraculous Cataclysmed. Sixth change: Marinette is a little shaken by the end of the episode and some of her words are a little more barbed than intended, to which she apologizes and offers a solution to the problem faced that day, giving Alya the Fox Miraculous full-time, but gives her a few rules to follow. “If I find out you broke one, I’m taking the Miraculous back. Understand?” The episode ends pretty much the same. Oh, and that phone in the Miracle Box container? It’s (a little clunkily) mentioned that Marinette created the one during a “random creation attempt” session with Alya.
So, yeah. Now that I've finished working on my main Dragonus storyline and summer's on the way, I might be able to get the second half (plus the halves of Season 5!) out relatively quickly. As I promised, here is the link to the main Dragonus storyline, I'm almost finished posting it all. It's a divergence from Season 3 with some concepts pulled from the NY special and Season 4/5, but all in all it's a pretty good read (I don't exactly redeem
Chloe as much as punch her until she understands that she's been horrible
but she definitely becomes better): https://archiveofourown.org/series/2798386
Give me feedback, please! Your feedback helps me make this better!
submitted by Master_Antelope
to miraculousladybug [link] [comments]
2023.05.30 02:26 shmoopybubba What episode is this?! + another question
I have thought about this episode on and off for probably around 7+ years but it’s an episode in the early seasons when Nick was still around and there was a scene of him doing a seance with teacup candles in what I remember to be an abandoned hospital or asylum or something? (not positive on this) and there is a insanely loud woman’s scream that happens. I have thought about this episode so much and have only once seen it again within this 7+ year period and I just forgot what the episode is called. The woman screaming was loud and very prominent
ALSO! Does anybody know why season 10 isn’t available on any streaming platform?
submitted by shmoopybubba
to GhostAdventures [link] [comments]
2023.05.30 02:20 Lemondrop1995 Predictions and theories for Season 2
I was rewatching Yellowstone, and 1883, and 1923, and I just realized a few things and have some predictions now. I wanted to start a discussion here and see what others think. Maybe I'm on to something or maybe I'm totally off. Let's discuss.
- I think Jamie (Randall) Dutton is part Native American. I also think he's tangentially related to the Duttons. I was rewatching Yellowstone with friends and we all remarked that he doesn't look like the rest of the Duttons and with his dark hair and high cheekbones, it wouldn't surprise me if he was 1/4th or 1/8th Native American. He doesn't look like his biological father either.
Now here's my theory. I think John Dutton's (Kevin Costner) father had a bastard daughter with a local Native American woman, and that this bastard daughter married Garret Randall (Jamie's biological father). I think that's why the Duttons adopted him. It doesn't make much sense to me why they would adopt some random kid. Maybe he's both a Dutton and a Native American, and I think through his Native American ancestry, he's maybe a descendant of Teona Rainwater. All of this means he has a likely stronger claim to the ranch, and John Dutton probably doesnt ever want him discovering this.
- Teonna Rainwater is the ancestor of Thomas Rainwater. Based on the last names alone, I think this is pretty obvious that she is his ancestor.
- Banner Creighton will go against Donald Whitfield in the range war with the Duttons. We see in the scene when Donald Whitfield is beating the prostitutes, Banner looks disturbed. I think he'll end up helping the Duttons and go against Whitfield. He'll probably be the start of the permanent ranch hands who are branded, starting the branding tradition. I think Spencer might start this and personally brand Banner.
- Alexandra will return in Season 2 heavily pregnant and will financially rescue the ranch. Maybe she'll die (I hope not but a lot of characters get killed off) and Jack and Elizabeth will raise the kid as their own.
- Spencer will take over the Dutton ranch and fight back and will remarry and have kids of his own, or maybe not. I'm not sure about this but in the beginning we're told that only one Dutton kid got to see his kids grow. Maybe that was Spencer Dutton's older brother (John Dutton, Elsa's brother) but they said the plural, "children", so I would assume this is Spencer who's the only one who sees his kids grow up? Will Spencer have more kids?
What do all of you think?
submitted by Lemondrop1995
to 1923Series [link] [comments]
2023.05.30 00:48 Iammeandnothingelse Greg translating Swedish scene
When Gregg is at the bar translating the Swedish in real time via app, does anyone that is a native Swedish speaker know the full extent of what they were saying to one another? It seems like there was some text towards the end of that scene that didn’t show up in the translation, or perhaps a word not translated correctly (“live” appearing alone) and it would be interesting to know the full extent of their dialogue given to us.
submitted by Iammeandnothingelse
to SuccessionTV [link] [comments]
2023.05.30 00:07 Gladerp Inside The Treasure Of San Gennaro: Unveiling The Secrets Of Naples’ Religious Relics
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NAPLES, Italy — The southern Italian port city of Naples is one of contradictions. It is known both for its majestic views of Mount Vesuvius as well as hellish traffic. It’s the city where pizza was invented but also where unemployment is a persistent problem. submitted by Gladerp to Catholicism [link] [comments]
It is also a city, Italy’s third largest after the capitol Rome and Milan, that features both Greek and Roman art — the nearby town of Pompeii that was buried in ash following a volcanic eruption is a wonderful example of this — in addition to its 500 Catholic churches dating back to the first century that reached its artistic heights during the Baroque period.
One of the most majestic displays of religious art a visitor can find in Naples — if not anywhere in the Catholic world — is known as the Museum of the Treasure of San Gennaro. Located in Naples’ historic city center (which is also famous for artisans and nativity scenes), the area has been designated a UNESCO World Heritage Site…
2023.05.29 23:20 DarkLordJurasus USAgent and the USAvengers #18- Passover Special
USAgent and the USAvengers Volume 4: Healing Passover Special
Written by: u/DarkLordJurasus
Edited by: u/PresidentWerewolf
I look out at the highway, the sound of the radio blending into the noise of cars on asphalt. Up ahead is a sign for a rest stop in half a mile. For a moment, I debate not saying anything, merely shifting my aching leg to try letting it straighten and allow the car to continue forward. Walter is stressed enough as is; being trapped in New Jersey traffic will only make it worse.
I grab ahold of the front seat passenger chair, and attempt to shift my body to a more leaning position. I get one leg up before letting out a moan. Pain blossoms through my oblique muscles as I stop.
Hearing me, Walter asks, “Are you okay?”
Shifting back into the sitting position, I wave him off, “Yea, yea. I’m fine. Healing just sucks. Can we possibly stop soon? I need to stand up and walk off my soreness.”
Doug gives a curt nod, quickly putting on his right blinker to change lanes. Walter doesn’t immediately respond. For a moment, he is quiet, and then he says, “Listen, if you aren’t feeling up to the trip, it's okay. There is a Passover Seder hosted by a synagogue near our base, I can go there for the holidays.”
I quickly reply, “No, I’m fine. We calculated the time for a lot of stops and the doctor said as long as I walk around every hour to hour and a half, I should be fine.”
Trying to lighten the mood, Doug added on, “Yea. I was promised a chance to try your mom’s homemade macaroons. You aren’t taking that away from me.”
All Walter replied with was a hesitant, “Okay.”
It’s strange, Walter’s response. Well, his hesitation in general is weird. Is he worried to see his parents again? It would be the first time he saw them since becoming Stingray, but that isn’t it. His hesitation mostly comes around Doug and me coming. It can’t be him trying to keep us away from his Jewish identity. He’s the one who invited us, and he had never been shy about discussing his beliefs before.
I try to brush the thought from my mind. I don’t want to push Walter. If he is feeling so uncomfortable now, any attempt to figure out what he is thinking will only lead to him getting defensive. Instead, I just let it go, pretending I haven’t noticed his weird behavior, and listen to the news. In business news, earlier today Tinkerer Technologies announced their initiative to begin making technology that will help protect private citizens from superhuman threats. This corresponded with a press statement by company founder Phineas Mason. In the statement, Phineas wrote, “Tinkerer Technologies is not trying to disparage the technology being created on behest of the US government in regards to the danger superhumans may pose. It must be remembered that Tinkerer Technologies were the main industry working with the government on the USAvengers project and had a direct hand in both the Detroit Steel armor and the Modern American Initiative. The problem is, Sentinels and the USAvengers can only be part of the solution. A situation with a superhuman can turn volatile in a moment. We’ve seen this with both dangerous, violent criminals and innocents who lost control of their powers. As such, it is imperative that the average citizen has the tools to neutralize deadly situations as they wait for the police, a Sentinel, or the USAvengers to arrive.”
Walter turns off the radio at this, his back straight as a pencil. At the same time, he begins to pull into the parking lot of the rest stop. He parks the car in silence, the fact he turned off the radio not mentioned by anyone in the car. We all know why. The wording was polite, but the message behind Phineas’ words are clear: mutants are dangerous and should be feared.
As the car stops, Doug clears his throat and says, “I’m going inside to the bathroom and to grab an Iced Tea for the road. Anyone want anything?”
Walter responds, “I’m good.”
Doug merely looks at Walter for a moment, I can’t see his eyes, but I can only guess he was looking him over, worried about Walter’s behavior. After a moment, Doug nods and turns back to me, “You want anything?”
“Sure,” I reply, “Grab me a coffee.”
Getting out of the car, Doug double checks, “Two milk, one Splenda?”
I hum in the affirmative. Doug closes the door to the car and begins to walk towards the rest stop.
I move to leave the car myself, my hand unclasping the seatbelt from its holder. Taking a deep breath, Walter says, “Wait…I…we need to talk before you get out.”
I’m silent, unsure what to say or do in this situation. I’m worried, what’s going on? Why is Walter so nervous?
Walter’s hands drift from the steering wheel to his side, limp. “Two days ago my mom called me. Originally we thought my grandpa wasn’t coming to Passover. For as long as I knew him, he always flew to Israel for Passover specifically and celebrated the holiday with his sister’s family. Earlier last week his sister’s daughter called him to cancel. It seems that one of my cousins just had a preemie and Passover took a backseat as they are dealing with the surprise of having the child early.”
“Why is this a bad thing?” I ask.
Walter sighs, “It’s not, I love my grandpa, he’s great, he’s just, well he is so far liberal that we used to joke Bernie Sanders went to him for policy ideas. When I told him I wanted to go to a military college, he spent over a year trying to convince me otherwise. He even offered to pay for all 4 years of my college out of his own pocket just to stop me.”
Understanding sinks in; his grandfather is not going to like me, not in the slightest. The only thing I can say in response is, “Oh.”
Walter looks down, “Yea. He is probably going to challenge you. Mom said he promised to not make a scene, but to him, anything short of not punching you like he is Captain America punching Hitler is not making a scene.”
“Do you not want me to go?” I ask, trying to keep the nervousness out of my voice. I know Walter is still wary of me due to my usage of the M-slur, not that I could blame him. If I was him, I would have dropped me as a friend as soon as I got out of a coma. I don’t want to cause conflict, and I would understand if Walter doesn’t feel comfortable with me there, all things considered, but it would still hurt. I can currently only count three people as my friends, and with how badly I screwed up my friendship with Lemar, I hate the idea that my friendship with Walter is also irreparable.
“No.” Doug says quickly, almost too quickly, “It’s not like that. It’s just, I know you are planning to go to group therapy with Lemar to work out your issues, and I don’t want you to be placed into a situation where a stranger confronts you over your actions before you're ready for it. If you don’t feel up to being interrogated, then I can easily turn this car around and we can claim the flu or some other bullshit.”
I think about what Walter said. He’s not entirely wrong. While I know what I said is wrong, and I know that it was derogatory and discriminatory, I also know that I haven’t done enough to fix the issue. I’ve thought about that day often, my mind replaying the events over and over, but I haven’t verbalized much of it to others. I can play out the words I will say when questioned on it, but that means nothing when emotions run high. Wasn’t it during high emotions that I showed my true colors in the first place?
My hand is shaking, from my emotions or from the lack of movement, I’m not quite sure. I don’t think I can do this, I barely was coherent enough to discuss it with my friends, how can I try speaking about it in front of others? Would I try explaining it after I apologize, to further go into how I am trying to work harder in the future to change, or would that be considered justifying the behavior? For a moment, the thought of turning the car around sounds like the right choice. Walter is right, I’m not ready for a confrontation, I don’t think I’ll ever be ready.
And yet, I also know turning the car around is impossible. Ignoring how selfish it would be to Walter, the fact of the matter is that I can’t keep running from the backlash. I can’t keep pretending that the real world consequences to my actions will avoid me. I have to face the music.
“I want to go.” I manage to gasp out in a whisper. Instantly, I feel better and I feel worse. It feels like a weight has been lifted, like I’m no longer testing fate or Odin or anyone else who might exist, but at the same time, a new tension builds anticipation. This is not going to be fun, but it’s something I need to do.
Two days later, the three of us arrive at Walter’s parents’ house dressed up. Even from the other side of the door, I can easily hear the noises of children yelling and oven alarms going off. On my head is a yarmulke, a small brown cap. Walter did tell Doug and me that it was okay for us not to wear it, but if I’m being invited to celebrate someone’s culture and religion, I want to be as respectful as possible while doing so.
Walter knocks on the door and a young woman comes to the door. She looks younger than Walter, maybe in her mid to late thirties. She wears a dark blue dress with a silver Star of David necklace. Seeing David, she hugs him. “It’s good to see you. Mom was terrified when you disappeared and then showed up as a superhero.”
Blushing a bit, Walter responds, “You know I would have told you guys if I could.”
The girl smiles softly. “I know that, but try telling that to mom.”
Walter stops for a moment, his body freezing. “Fuck,” he says before running inside, calling for his mother.
Seeing Doug’s and my confusion, the girl explains, “There’s no more powerful force than a Jewish mother’s guilt, and for the stunt you guys pulled, well Walter is going to be reminded of that fact.”
Awkwardly I nod, my hands almost trapped at my side. It’s hard enough for me to lie to Lemar about why I disappeared for months on end; I didn’t even think of how hard it was for Walter to lie to his family.
Doug, either recovering from the awkwardness first or not having felt it in the first place, holds out his hand, “Hi, I’m Doug.”
Shaking his hand, the woman replies, “Detroit Steel right?” Not waiting for a response, she continues, “I’m Alli.”
My mind instantly clicks. This is Walter’s younger sister, the one who is a Social Studies teacher in Pennsylvania. Holding out my own hand, I say, “I’m John.”
Alli’s smile gets slightly tighter, her lips paling from tension, “Welcome to our house.” She turns around and quickly gestures for us to get inside. The fact she didn’t shake my hand isn’t lost on me, but if passive-aggressiveness is the worst of my treatment tonight, well, it would be more than I deserve.
Walking inside, we are on a small wooden platform, a single step to the left required to get to the downstairs, a staircase in front of us exiting into the living room. A young kid runs by and runs over my foot. I let out a small gasp as pain reverberates up my leg. I lean harder on my cane.
“Baruch Lavie Melamed! Apologize this instant.”
The young boy stops and stares at me. I feel tears welling in my eyes from the pain, but I try my best to keep my face clean. “Sorry for running over your foot.”
Trying to keep the pain from bleeding into my voice, I respond, “It’s fine.”
My voice must not have been as nonchalant as I hoped as both Alli and Baruch stay still for a moment before Alli nods and says, “Go back to playing.”
The kid's mouth splits in half with a smile and he runs off. Alli turns to me, her expression changed to one much softer, “Are you okay?”
I close my eyes for a minute, my leg pulsating. Opening them again, I wave her off, “Yea, barely even felt it.”
It’s obvious she does not believe me, her eyes frozen on my hunched over form. I mentally hold my breath; I don’t want her to come and help. I don’t need the pity, I can’t handle the pity. I’m goddamn USAgent, if she has to pity someone, I can show her hundreds of people who need it more. I’d rather she treat me with the disdained indifference of before, it's what I deserve after all.
Doug comes to my rescue, grabbing ahold of my elbow and saying, “It’s fine, I’m used to carrying his dead weight.” He says it with a slight chuckle, one that is so forced, it almost sounded like a cough.
Alli nods and begins to walk up the stairs. I go to follow, but Doug doesn’t move. In my ear, he whispers, “Listen, if you can’t handle this, we can go. I’ll drive you back to the hotel and pick up Walter later.”
I whisper back, “I’m good.”
Doug nods and begins to help me up the stairs, “Please don’t push yourself. The last thing we need is for you to backtrack.”
I give my own nod, wondering if Doug meant physically or mentally backtracking.
An hour later, we are all gathered around a large table, prayer books in hand, as Walter and his family chant Hebrew and English. My book is open, and I attempt to make the same sounds coming out of everyone else’s mouths, but my heart isn’t in it. I’m too busy looking at the table through the corner of my eyes.
Once again, I have to wonder: how selfish am I truly? I knew Walter had a big family, unlike Doug and myself, but I never truly thought of how much he had to give up for the USAvengers. Sure, being in the military requires sacrifices, but the USAvengers is more. How many secrets has he had to keep from his loved ones? How does he feel knowing they can be at risk due to his role as government hero?
Glancing around the table, my eyes freeze at an older man. He wears a full black suit with a dark blue yarmulke and a white scarf like object that Alli told me earlier was a tallit. His eyes meet mine, the dark brown pupils dilating, the same glare he has been giving me all night reappearing.
I learned that he is the grandpa, Benjamin Newell, and while silent towards me, his disgust is extremely evident. I don’t fault him though. Walter explained to me last night that his brother and parents died in the Holocaust, and that since then, his grandfather has fought against injustice and bigotry.
I attempt to stare down at the book, but it is too late as Benjamin clears his throat, his eyes never leaving mine.
The prayer, I believe it is called the Four Questions, is stopped as everyone turns to look at him. He closes his book and puts it down, his movement demanding a presence.
“Well,” he says slowly, spit pooling in the corners of the mouth, “I’m done ignoring the elephant in the room.”
Walter’s mom, Leia Newell, is quick to admonish her father, but he cuts her off, “No. If one breaks bread with a Nazi, they are a Nazi. I’m not breaking matzah with a bigot, especially not during a sacred holiday.”
I nod my head, “I understand that.” All the desire I had to explain or justify myself disappears immediately as I realize how wrong it would be to do so here. This isn’t a family dinner, this is a holiday, and I, an outsider, am harming it by making others uncomfortable. There are times and places to make a stand, but today is not one of them.
I turn to Leia and say, “Thank you for inviting me.”
I grab my cane and Doug gets up, supporting me by my elbow. Benjamin scoffs, “Look at him, another bigot who can’t deal with conflict. Go back to hurting the innocent.”
Walter gets up also, his chair scratching against the wooden floor, “I knew this was a bad idea. I knew that you wouldn’t give John a chance to show that he is working to be better. I just thought you would do it before or after we eat, not ruin dinner in the process.”
Benjamin laughs, “I’m sorry Walter, I know he is your friend, and I respect that, but cut the crap about him trying to be better. If he was trying, he would stop sullying the legacy of Captain America and quit. Captain America was a man who had the first segregated battalion. Captain America came and prayed at synagogues all throughout the country in protest when America forced Jewish refugees back to Germany. Your friend runs when someone points out his bigotry.”
I stop walking and turn around, the movement so fast that my cane hits my leg in the process. I’m tired of being compared to Steve fucking Rogers, the man with the goddamn plan. I’m tired of seeing him in my dreams, admonishing me, I’m tired of living in his shadows.
“You’re right.” I say, my eyes meeting his, “I’m not Captain America, there will never be another Captain America. I’m not the perfect representation of the dream of an united America, I’m a flawed human being.”
“So quit.” Benjamin replies.
This time I laugh, a bitter taste on my tongue, “You think that will fix anything? The USAvengers project is too expensive to fail, and I can assure you, the next guy will be much worse to supers than I can ever dream of being. Kelly’s support and power has only grown since the Power Broker appeared, and there is no chance in hell that he won’t be picking the next USAgent. At least I’m trying to get past my biases and prejudices, I can assure you the next guy won’t put in the same effort.”
“If you are trying to be better, why run with your tail behind your legs? Explain that, talk to us, running is for cowards who can’t take living in the real world.”
Looking down, I say, “I was trying to not ruin your dinner.”
Benjamin responds, “Well, according to this one,” he points his finger at Walter, “I already did so, so you might as well explain yourself.”
I nod and say, “I’m scared. Mutants, superhumans, they can do things no one else can, and I wouldn’t be able to stop them. I’d be defenseless, and that terrifies me. I know logically it is unfair, that very few superhumans are powerful enough to kill others with no effort, and out of that small population, even fewer are violent, but the heart often doesn’t listen to the mind. I was at ground zero for Ultron, and I saw the strength and brutality of both superhumans, and the foes they fight, and despite my military training, I was unable to do anything.”
Benjamin opens his mouth to respond, but I continue, “Me saying a slur, it was a long time coming, I just refused to see it. I hid my fear of supers, refusing to talk about the Avengers or vigilantes like Spider-Man before I became USAgent. I told myself this was due to my anger at not being helped during the Ultron Incident, and that was definitely part of it, but that fear was there all along. Then I became USAgent, I thought my fear would disappear, I would be able to defend myself and others, but then the dinosaurs attacked New York. I almost died on three occasions, and yet I saw the supers I fought with kill and slaughter the dinosaurs like they were tissue paper. I was already close to a panic attack upon realizing my friends were probably turned into dinosaurs, but the realization, that despite everything, I’m still too weak to protect myself and those I care about, well it broke me, and a disgusting and dark part of myself, a part of myself I hope I never see again, came out.”
Benjamin eyes me up and down before saying, “Fear does not justify bigotry.”
“I know.” I respond softly.
He continues, “What you did is despicable.”
“I agree.” I say.
He leans forward, “Most people don’t get second chances, and very few deserve a third chance. Do you understand that?”
I shake my head, “I do. I won’t let you, or my friends down.”
Sitting back in his seat, he smiles, “Well then, sit down, the soup is getting cold and I want to eat before midnight.”
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2023.05.29 22:48 DMP89145 The Yin and Yang of Real Life
As a sub, we spend a lot of time discussing passages, parables and allegories. Most of it is to help us all stimulate our own individual understanding of Daoism, though I think we lean towards too much Yin. From time to time, I’ve found situations in today’s society that can really highlight the paradox that Daoism can often be in everyday life.
There’s a report of a man, who I’m sure thought he was doing the "right" thing. Only to later find out that his “good” deed has resulted in a situation that is not so good.
Yellowstone National Park rangers euthanized a newborn bison calf after a visitor touched the animal, trying to help it catch up with its herd, the National Park Service said on Tuesday. The herd had been crossing the Lamar River on Saturday evening when the calf got separated from its mother on the river bank, according to a press release from the agency. A man observing the scene approached the animal with apparent rescue intentions. Full Story
"As the calf struggled, the man pushed the calf up from the river and onto the roadway," NPS said. "Visitors later observed the calf walk up to and follow cars and people."
Park rangers repeatedly tried to reunite the calf with the herd, but the herd resisted. The rangers later euthanized the calf, saying its persistence in approaching cars posed a hazard to guests, according to NPS.
Pending the outcome of the investigation, he could be charged with Class B misdemeanors, including disturbing wildlife, disorderly conduct (creating a hazardous condition) and approaching wildlife, according to Morgan Warthin, a spokesperson for Yellowstone National Park. If found guilty of those charges, the man could face up to six months in jail and a $5,000 fine, Warthin told NPR.
NPS has frequently defended its policy of not interfering in the natural death of animals on public lands, including orphaned offspring. "Our focus is on sustaining viable populations of native wildlife species, rather than protecting individual animals," reads an NPS webpage on the policy. "An animal's survival depends on its own daily decisions and natural selection."
This circumstance has so many layers when read with Daoism in mind. For me, the man and the Park Service are both “right” and “wrong” at the same time.
I think the man wanted to do the “right” thing initially, but may have been unaware of the laws and rules of the park, violated them and may be facing punishment for doing so. The Park Service did the “right” thing in euthanizing the calf, but I also don't agree with a lot of laws and regulations.
The park service approach of “An animal’s survival depends on its own daily decisions and natural selection” is the “right” one to have. At the same time, they have also put artificial protections in place and regulate “natural selection” by euthanizing the calf in this case.
But it also causes me to wonder about intervention and injecting one's self into situations. We give people advice in the sub all of the time. Granted they post because they are soliciting advice. If the calf had "asked" for help, perhaps it is different than "assuming" they need or want help. Perhaps intervention leads to unforeseen negative consequences. Perhaps the "I was only trying to help (i.e. do the "right" thing)" isn't always the best action to take. Perhaps letting things run their own course is more inline with Daoist thought.
submitted by DMP89145
to taoism [link] [comments]
2023.05.29 21:58 Proletlariet Shredder Cut Candle Holders
2023.05.29 21:35 lauromafra Embracing Full Decentralization: The Importance of Blockchain Projects Renouncing Control Over Their Tokens
Blockchain technology's allure lies in its decentralized nature, and with it comes an expectation of autonomy and control for those who participate in the ecosystem. When projects maintain control over their tokens, they may introduce an element of centralization that is at odds with these ideals.
Hence, when a project announces that it will relinquish control over its tokens, it's not only a game changer, but also a strong commitment towards decentralization, aligning with the core tenets of the blockchain community.
One such project, Ocean Protocol, a favorite of mine, is making waves by doing precisely this. I hold some Ocean tokens, and so the recent announcement was particularly exciting. According to an official article, Ocean Protocol is preparing to revoke all control over its native OCEAN contract, setting an inspiring example for the blockchain community.
The token, a vital component of the Ocean ecosystem, is intended to incentivize participation, foster the community, and drive the protocol's growth. The article elucidates how Ocean's 'Data Farming' program enables passive and active involvement, offering OCEAN rewards for staking on data assets.
The revocation of control over the OCEAN token contract secures the token's longevity and offers reassurance to the holders. Coupled with the minting of the remainder of the token supply, this move effectively decentralizes the OCEAN contract completely. This is a step that reflects Ocean Protocol's commitment to fostering a truly distributed and community-focused network.
Ocean Protocol’s move to renounce control over its tokens sets a precedent for decentralization that other blockchain projects may follow. As a token holder, it's an exciting development to witness and one that, in my opinion, will further secure the project's long-term sustainability. Here's to blockchain's ongoing evolution and projects like Ocean that push the boundaries.
submitted by lauromafra
to CryptoMarkets [link] [comments]
2023.05.29 21:22 andre_miho Laptop for AE animation
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Im trying to pick a device for relatively heavy projects. Not a lot of FX work, but lot's of scenes, character rigs and long videos, mainly 2d animation with workflow AI to AE, but sometimes doing a bit of simple 3d with the native AE tools. submitted by andre_miho to AfterEffects [link] [comments]
Im doing my main load of work on a work station based at home, but I want to start visiting the office and help out a new junior intern, answer any AE/ animation questions directly and be there psychically a couple of days in the month. I don't want to set a workstation in the office, and prefer a laptop that's going to be powerfull enough to handle projects smoothly. The tricky part is I also want it to be relatively budget friendly. I've found this solution but I feel like Im missing something out. Will this Dell work out in that configuration or do you think I should aim higher?
2023.05.29 21:19 lauromafra Common Wealth: A Groundbreaking Investment Platform, Plus an Exciting NFT Sale – A Real Crypto Moon Shot!
I bring to your attention an investment platform that is set to change the game – Common Wealth. This pioneering Web3 platform aims to democratize the venture capital sphere. It makes it possible for the so-called 99% to engage in early-stage investments, irrespective of their background or financial status. One thing that sets Common Wealth apart is its transparency. Every transaction, every activity on the platform is open for all to see. Moreover, the project's governance and decision-making is in the hands of its community via the Common Wealth DAO. This is a truly community-driven project, backed by a council of reputable investment professionals and angel investors. The platform's native token, WLTH, is Ethereum-based and facilitates all non-investment transactions. It comes with a 1% fee, which fuels the Community Fund and adds value back into the ecosystem. To maintain its scarcity, WLTH's maximum total supply is capped at $1 billion. Now, for the big news: Common Wealth is launching the Genesis Series 2 NFT sale. This sale, available now until May 31st, features NFTs priced at just $99. The sale will have 9 daily mints, each lasting 99 minutes, with a maximum of 999 NFTs minted each day. Uniquely, any unsold NFTs will be removed from the supply and the remaining WLTH tokens will be distributed evenly among Series 2 holders, with a cap of 8,712 $WLTH per NFT. This NFT sale represents more than just an opportunity to purchase a unique digital asset; it is a chance to become a founding member of All Street and actively participate in venture capital transformation. This is a crypto moon shot you don't want to miss!
submitted by lauromafra
to CryptoMoonShots [link] [comments]
2023.05.29 20:02 doomedgeek The rules for being one of the true undead
by Brian Maycock
I joined the vampire coven because I wanted to meet people not because I wanted to drink blood.
And obviously it wasn’t a real vampire coven. It was a bunch of teenagers my age and a bit older who were fond of wearing black clothes and watching movies about bloodsuckers and the rest.
And when I say meet people, I mean, meet girls.
Now that’s all clear, I can tell you what really happened next.
It was a Saturday night and the coven had gathered in the basement of one of our parents’ houses. It was a good set up, with a pool table and bowls crammed full of snacks.
There was a wide screen tv as well and an old series from the 1980s was showing. All the vampires on screen were completely gorgeous.
I stood in a corner eating a handful of chips, wishing I looked like that.
I was short sighted and had acne on my cheeks and chin. I’d hoped as I got older, this would clear up, but every morning there seemed to be a new, angry outburst.
I put the last of the chips in my mouth and pushed my glasses back up. None of the on-screen vampires wore glasses but I could not wear contact lenses without my eyes getting irritated.
Still, at least I had been accepted into the coven despite my complete lack of good-looking.
I’d moved with my folks to the town six months before and if it hadn’t been for the coven my weekends over the long summer break would probably have been totally solitary experiences.
As it was, I got to do things like this.
Things such as grinning at a girl who walked past on her way to get a drink from a bucket that was full of ice and bottles and tins.
In return, she blinked at me – which I took as a win as it was a lot more reaction than I usually got from girls when I dared smile at them.
She was called Beth and she wore a long, flowing black dress, that was carefully torn in places to show glimpses of more black fabric underneath.
With an awful feeling my complexion was flaring red – a long way from the pale skin of one of the cool undead on the widescreen – I went to get some more chips. Comfort eating had always been a thing for me.
With a fresh supply stacked up in my palm, I tried to concentrate on the tv. But it was no use, Beth was chatting to another girl, Jessica. She was wearing her blond hair up in a way that seemed impossibly sophisticated to me.
And as I tried and continued to fail at not staring, Matt breezed up to the girls. He had been picked for the football team at school and deliberately chosen not to play. He had a scar along most of one forearm as a result of a bike accident that had left bone sticking out. He also had stubble rather than the hairy mess that happens when people like me don’t shave. He was sickeningly cool.
Matt said something to Beth and Jessica and they all laughed.
I’d realized early on, that the three of them were the stars, and the dozen other members of the coven were in their orbit.
There were people like them in towns across the country, and people like me.
The only difference was, we were pretending to be a coven.
I looked at the chips in my hand. I wasn’t hungry but I ate them anyway.
Matt, Beth and Jessica were still in their huddle. And I was not the only person who was looking at them.
Amy wore the standard black. Her dress hung just below her knees and she had on black boots that were too big for her.
Like me, she did not look comfortable in her own skin and kept biting her lower lip as she stared over at the coven’s shining stars.
At Matt, anyway. I realized she only had eyes for him.
A girl had never looked at me like that and I felt an all too familiar sadness begin to overwhelm me.
Beth and Jessica meanwhile must have noticed the other girl making eyes at Matt and they gave her a look then leant in towards each other laughed.
From the smug look on his face, Matt knew exactly what was going on as well.
He gave Beth and Jessica a conspiratorial smile and headed over to the other girl.
I could see her cheeks colouring as he came closer and overheard him say, “Hey, we were thinking about getting out of lame central and doing something properly vampiric. Would you like to come along?”
A smile lit up her face and she nodded then followed Matt as he strolled back to Beth and Jessica. Their eyes shone with amusement.
I lifted my hand to my mouth and remembered I had no crisps left at the same moment I realized Beth was looking at me.
“Hey, Brad,” she said, “You want to come with us as well?”
I wanted to tell her that my name was Jeff not Brad. That I was perfectly happy eating chips and watching an old tv series, and that I could see right through her and knew what a shallow person she was really.
But I did none of these things.
I gulped and said, “Yes.”
Because she was beautiful.
I followed the four of them outside. Matt’s car gleamed under a streetlamp. He popped the lock then opened the passenger seat door and held it open.
I was surprised that neither Beth nor Jessica tried to get in. Instead, they climbed in the back seat.
Surely Matt wasn’t holding open the front door for me? I thought.
Amy glanced at me, and I could tell she was thinking exactly the same thing.
“My lady,” Matt said and indicated with a sweep of his hand that, yes, he was waiting for Amy to get in next to him.
She was shaking a little bit as she moved towards the car and got in.
If I could see it, so could Matt. And no doubt Beth and Jessica had as well and they were finding it hilarious.
I looked over at them and the space that was left in the back for me and forgot about Amy. I would be sitting next to them.
My legs felt like jelly as I got in. My right leg was very close to touching Beth’s left leg. There was no way it could not be.
And as Matt started the car and we set off all I was painfully aware that if I so much as twitched I would touch Beth.
It was intense, and it immediately got much worse.
Sitting so close to Beth and Jessica I began to smell their perfume – if it was perfume? Maybe it was just shower-gel and shampoo?
I had no idea, but it was the most amazing, overwhelming fragrance.
I started to shake then, as if someone was running an electric current through me.
And the inevitable happened. My leg touched Beth’s.
“Sorry,” I said in a hoarse voice.
Beth ignored me in a way that yelled, I am ignoring you loser.
I had to endure this until the car slowed to a halt. I climbed out and looked around, and was surprised to see we were parked in the graveyard on the edge of town. While I was standing there staring, Beth and Jessica linked arms and walked off. And Matt took Amy’s hand and led her after them.
Amy looked totally besotted and I imagined she felt like she was floating on air as they weaved their way in between the headstones.
By the dates on some of the headstones, I could tell we were in an old area of the graveyard and I could make out the dates on some of the headstones. The loved ones who were buried there had departed this mortal coil more than a hundred years before.
Some inscriptions I glanced at as I followed the others were too faded to read. There were a few broken headstones as well and the lamps which illuminated the grounds of the graveyard were growing further apart.
I could just about make out Matt, Amy, Beth and Jessica ahead of me. They were approaching a stone mausoleum.
I had no idea what they were doing and a part of me was thinking I should leave them to it. But, it was a long walk back to my house, and I had the fear.
The fear of missing out.
Cursing myself, I hurried to catch up – and did, just in time to see them entering the mausoleum through a wide crack in the wall.
My heart beating like crazy, I followed.
It was pitch black inside and colder than outside. A shiver passed through me. Then I saw a flame flicker into life. And another.
I could see Jessica leaning over a candle and the glint of a lighter in her hand. This candle lit, she moved onto another one.
I blinked and rubbed my eyes as the space I was in became visible.
As well as six slim candles in ornate holders there were symbols spray painted on the wall, scarlet-coloured swirls and intersecting lines that made me think uncomfortably of dark magic. Of dangerous secrets.
Jessica and Beth were by now standing side by side and Matt now had his arm draped over Amy’s shoulders. Her head was resting against his chest and her eyes were half closed in a happy daze.
Beth looked at me and a smile I could not read played across her lips. “Welcome to the lair,” she said. “Where the coven gathers. The actual coven, not the immature fools who pretend.”
“We are the coven,” Jessica said.
“We are the coven,” Matt echoed.
“We are the undead,” Beth went on. “The undead who must follow the ancient rules. Fear the light of day, for it will burn through skin and bone and reduce us to dust. Drink only blood for sustenance, all else is impure. Do not enter unless invited, then we may feed.”
“The undead,” Jessica whispered.
And once again Matt echoed her words.
My mind raced. I was horrified and fascinated. Did they truly believe this?
These three golden students who had successful futures stretching out before them.
Or where they playing a game?
I thought it was this last, surely it must have been – until Beth took a dagger out from within the folds of her dress.
She held it up. It was slim and looked incredibly sharp.
I was transfixed by it until I became aware Beth was moving towards me.
Close enough to hold the blade gently against my neck. “I will open your vein now,” she said, “And drink your blood.”
A tear ran down my face as a cold wave of fear passed through me.
I did not want this. I did not want to be a vampire, or a vampire’s prey.
Beth pressed the blade harder against me and I felt a point of pain begin to burn.
I wanted to move, to run away, but terror held me.
“Don’t,” I managed to say. “Please. Don’t.”
Beth tilted her head to one side and sneered. “Pathetic,” she said, her voice heavy with scorn.
Then she turned her back on me and approached Matt. He still had Amy close, and she was looking up at him in confusion. He put a finger on her lips, just before Beth placed the blade against his neck.
Blood began to flow from his skin.
Somehow, Matt did not even wince. He looked into Amy’s eyes and said, “Drink. Show that you want to be with me as one of the undead by feasting on my blood.”
All the colour had drained from Amy’s cheeks but I could tell from her expression that she would do anything for him. For love.
She reached up and placed her lips against his bleeding neck and began to drink.
I couldn’t watch anymore and staggered backwards, and out of the mausoleum.
Then, without thinking what I was doing, I started walking.
After twenty minutes, I tried to order a cab, but my phone was out of credit, so I had no choice but to trudge on.
By the time I did get home, I was exhausted and my feet were killing me. I dragged myself to my room and fell into bed fully clothed.
The next day, I did not get up until after noon. When I went down to the kitchen, my parents were packing.
They were both academics and were going away for almost a month to a conference in Europe, leaving me on my own in the house.
I had been planning to invite the coven round for one of the next Saturday gatherings, but after the events of last night, I had had enough of all things vampire.
Ten minutes later I was standing on the front door step waving my parents goodbye.
When their cab was out of sight, I went back in, closed the door behind me and slumped down onto a sofa.
My plans were to watch tv and work my way through the well-stocked fridge. I clicked the tv on. There was a show about a time travelling pathologist just starting.
I stared at the screen and tried not to think.
I lost days and nights like this. I trudged between the sofa and the fridge and fell asleep then started all over again. The shows soon blurred into one and I was surrounded by crumbs. It was slob central.
Then, one night, while I was flicking through the channels and snacking, someone knocked on the door.
I had no idea who it could have been at that hour and did not answer at first, hoping they would go away.
But the knocking continued, a slow, heavy tap.
I sighed and got up and went to see who it was.
I was shocked when I saw Amy standing there when I opened the door.
Her eyes were red and her cheeks were wet with tears. She said in a shaky voice, “Matt has told me he wants nothing more to do with me. I think it’s Beth and Jessica’s fault. They hate me. But I need him. I need him so much.”
Fresh tears began to run down her face.
I had no idea how to talk to girls at the best of times. I was completely lost about what to do when confronted with a distraught girl, but I had to say something.
“Do you want to watch tv here,” I told her. “Or I could walk you home.”
Still sobbing, she said, “No. Please invite me in.”
I did not understand and just looked at her.
“Please,” she went on, begging now. “Please invite me in so I can feed.”
Suddenly it clicked. I remembered the rules Beth had invoked and realized with horror that Amy wanted to drink my blood.
“I c… can’t,” I managed to say. I was appalled.
She looked up at me. I could see the desperation in her eyes when she said, “I have not fed since Matt rejected me.”
“I’m sorry,” I said. Then I closed the door in her face and stood there feeling sick. I waited for Amy to knock again but there was only silence.
After a while I went back into the lounge and sat there trying to understand.
The best I could work out after a sleepless night was that Amy had lost her way. In her blind love for Matt she believed that the rules of the undead Beth had spouted were real.
I felt bad for her, but I did not think there was anything I could do apart from hope she got over things soon.
Two weeks later, I found out on social media that Amy had died. There was a lot of gossip, a lot of nonsense, but as far as I could work out the facts were: She was eighteen years old. She had suffered organ failure after isolating herself and not eating or drinking anything for around ten days. The human body can go without food for quite a long time but not liquids. She had been admitted to hospital, but too late. She was to be buried in a few days’ time and her family had asked for donations to be made to a charity.
I was devastated and kept going back to that night she had come round and I had not invited her in.
I should have been braver, I knew. I should have been open-minded and accepting of the young woman who had asked me to give her what she needed.
I could have saved her. But I had failed.
I sank into depression. I would have done anything to make amends.
Last night, my chance came.
Last night, there was a knock on my door.
I went to answer it and saw it was her.
She had returned from the grave. Her skin was pale, her smile hesitant. She was hideous and beautiful. Corrupted and innocent.
I did not waver this time. I invited her in, and she fed on me. It was the most incredible feeling.
She left me before dawn. I sat there for a long time crying.
Tonight, when she returns, I will tell her I want to become like her.
People such as Matt and Beth and Jessica will never understand because, for all their pretence, they are creatures of the light.
But I understand now.
I will follow the rules because they are real.
I will become one of the true undead and be with Amy.
We will be two lost souls together in the eternal night.
submitted by doomedgeek
to ChillingApp [link] [comments]
2023.05.29 19:06 Proletlariet Shredder 12
"There is undoubtedly a fascinating story in how my old nemesis came to teach ninjutsu to four mutant turtles. Perhaps I will let one of you live long enough to tell it" Oroku Saki
was the adopted brother of Hamato Yoshi, heir to the Hamato ninja clan. The pair were rivals in all things, but when the love of Tang Shen, Yoshi's wife, came between them, Saki attacked Yoshi, accidentally killing Shen and starting a fire.
Saki also stole Yoshi's infant daughter Miwa, who Yoshi believed dead in the fire. Saki became head of the Foot Clan, taking the moniker of the Shredder
, and traveled to New York when he heard that Hamato Yoshi was still alive, now known as Master Splinter
, intent on ending their rivalry once and for all with the destruction of Yoshi and his sons, the Teenage Mutant Ninja Turtles
Feats will be marked with the season and episode number (i.e. S2E14).
submitted by Proletlariet
to u/Proletlariet [link] [comments]
2023.05.29 18:33 Starbuksman Today’s finds.
| || |
Found a new place only open Monday’s- and 50% off! Finally bought a worlds fair bottle for a good price. No clue what the odd looking thing is- any info would be awesome! The pother piece is some kind of candle holder I believe. submitted by Starbuksman to uraniumglass [link] [comments]
2023.05.29 18:31 Chonkasaurus30 Idc who you are that final battle scene went Hard af
So I just beat saints row reboot last night and as someone who's beaten them all at least 3 or 4 times each plus red faction series and agents of mayhem(sadly). Maybe more with friends. These are my genuine thoughts.
The volition originally stated they wanted to recapture the feeling of 2 while having it be updated with the humor and zaniness of 3. Did they capture that? Yes!....and no.. The issue isn't the writing but time. Times have changed. Alot of fans don't want to recognize that. Should it have been the over exaggerated 90s style thug sim with 3rd grade jokes like before? Sure it could've.. but that's only for the OG fans right? Sadly today's climate, despite how any of us feel about it, can't really support that kind of storytelling anymore. Not when you're trying to run a business. Did it get crazy like 3? God, yes. From helping grannies murder credit card Thieves to reposessing BANK VAULTS to flinging myself across the air with a Weight launcher.. is it got as many crazy weapons as 3 did? No. But it's serviceable. I really liked the energy wall that let's me blast through cover (though I mostly used it just for damage boosts). The volition once said that Saints Row is a world of superheroes and villains without costumes. Agents of mayhem was that world with costumes. Does it feel that way? Yes. A thousand times, yes. You're an unstoppable murder machine whose only weakness seems to be the affirmation of your friends. Is that a bad weakness? Well, apparently, that's the Crux of your characters' personal story. And it was kinda....weak. But that isn't to say much.. the writing has never been anything more than Whelming. It's not underwhelming or overwhelming. Just general whelming.
The Engine: I made a post here once asking about a weird glitch that got solved by turning Ray tracing on. A lot of users here felt the need to claim the engine was shit. I can honestly say that in my recent completion, I've seen quite a few physics bugs.. and that one graphical glitch. Is that a shit engine? Well..if you say yes, then you're saying they all had shit engines....and they kinda did. I've seen the same things and more in all the older games. Double ultra, especially in the one we all place on a pedestal, SR2. I can't tell you how many times I'd go to do a certain mission involving blowing up a building, for it to suddenly crash, and abort that mission. However, the building still blew up somehow, and I got hard locked out of progress. Did ANYTHING like that happen in the reboot? No, thankfully. Does that make it better or worse? No. As much as it sucks to say glitches are here. Testers aren't taken that seriously, and often, a lot of the bugs get passed over despite being cataloged. Am I letting my knowledge of game development influence my feelings of the game? Yes. I think we all should. Merit should be recognized at every layer. What did it take to make? Or you could just hate a company name. I'd rather point the blame at the ones at fault like share holders or dev team leaders forcing changes.
The gameplay feel: it felt like..saints row? They didn't change mechanics very much. I'm glad that it kept to form, and I'm not sure what could've or should've been different.
The world: it feels..empty. sometimes the streets will have zero cars or people unless I go to a new zone or area on the map, and suddenly the game engine decides to populate. But truthfully, I saw the world as nothing more than a collection space to grab collectibles and go to the next objective. Exploration didn't feel GOOD it felt.. tacked on? Unnecessary?
Ever play LA noire? It felt like that games world a bit. If I could just skip traveling at all and just auto start activities, I would.
The third act: What can I say? It happened suddenly. It was obvious(I lowkey suspected kevin or eli. They both have that easily turnable kinda personality). The way the villain acted was new, though! Caught me off guard. Never had a villain that wanted so deeply and terribly to demand friendship, my friends, at the cost of their lives. He was unique. Yo, but like the title says, that last fight went HARD. The cinematography, lighting, music, the slow walk, sizing each other up. Then the Quickdraw. You can and pribably will disagree, but that gave me MGS4 ending fight feelings. Just 2 beasts throwing hands.
Tldr&final thoughts: It starts off strong but quickly plateaus around the mid point. The engine was no worse than previous titles, often looking as nice as Gta at max despite me running at mid settings. the writing was okay for what it needed to be for the new generation of saints. The world feels empty and unnecessary. The story is purely an origin and a kind of generic personal drama of accepting your strengths and weaknesses but not told in any way thats unique (power of friendship, ya'll) and the ending fight scene is pretty cool especially with context but I'd reccomend giving it a quick view on youtube if you dont wanna beat it. I'd give a solid 6.5/10. above average and fun enough to go back to. Nothing special or groundbreaking, but I personally couldn't or wouldn't be able to see the flood of complaints this game got. The review bombing and all the vitriol really felt unwarranted. But then again, everything expressed here is my personal thoughts, opinions, and experiences. Everyone's different.
submitted by Chonkasaurus30
to SaintsRow [link] [comments]
2023.05.29 18:07 upcomingdao After SUI, AIDOGE, PEPE — UPCG Coin Hits the List!
| || |https://preview.redd.it/sjl1sv8tns2b1.jpg?width=1200&format=pjpg&auto=webp&s=190a5e907cc31fed8e0d0fd4f4ac4c369080b905 submitted by upcomingdao to AllCryptoBets [link] [comments]
The space of financial markets is continually evolving; hence, traders and investors need to stay ahead of the curve to get successful results. Since the past era, traders are using many traditional tools to give a shot and predict sustainable price movements to make profitable investments.
The future of finance and crypto investment is at the iceberg, molding the form of cryptocurrencies further with the new tech concepts. Meanwhile, the new coins are enhancing their potential, market relevance, and credibility to beat the competition going between new assets.
Now, is the time to take over control of your financial future, stay updated with the latest fluctuation in terms of coins like PEPE, SUI, AiDoge, and UPCG coins and carefully invest in the assets of tomorrow. Stay alert and get ready to join the upcoming crypto revolution by being a part of the next big thing in the domain of finance. Make sure not to wait any longer; because the future is now. Salmonation [SUI]
Salmonation (SUI) has recently covered all news bases reaching another all-time high price on May 2, 2023. The price escalation is not the first in 2023 because SUI already pumped 228% right at the start of 2023. This project is developed on the Binance Smart Chain which has survived turbulence at times even when SUI had unfavorable price predictions.
Unfortunately, SUI in chance has relatively a low market cap and market value. Despite its price pump, the technical score of Salmonation remains weak, and the recent trading pushed bearish signals for a better part. Hence now the traders are looking for better alternatives like AiDoge, and UPCG coins to get better benefits. ArbDoge AI [AiDoge]
AiDoge on the other hand is the newest AI meme crypto project which is now certainly one of the good term investments. This project utilizes the latest AI technology enabling users to create particularly suitable and high-quality memes. This coin is currently in the presale phase and has already raised over $3.5 million where now experts trust this project to grow exponentially after its announcement of exchange listings and to soon become one of the best meme tokens.
There’s much hype around the market regarding meme coins and you will realize more and more coins popping up even pumping a crazy amount. In fact, not only this asset, there are PEPE, WOJAK, and UPCG competing in the list of new coins enlisted with great demand. Debate Between SUI and AiDoge
As we can see from the latest news, the highest SUI can hit worth $0.39 when on May 5, the SUI price reached $1.26 per token, a downtrend of around 70% from its record high which was over $4, recorded two days ago.
On the contrary, the Salmonation team has effortlessly worked to turn the SUI coin into a community-oriented project by burning almost 50% of all token supply. Henceforth, these ecosystem updates are said to alter the SUI price pump.
Though this is not the end of this competition, as its team recently announced to make SUI tokens with utility means it will change into coins that users can exchange for Be-One Coin.
Some might still consider SUI as a good investment, and the user base have AiDoge as their new meme crypto project backed by AI which also looks promising. So, traders are debating about the financial fluctuations to keep future investments secure. Recently experts also commented on AiDoge to pump by 300% by this year which can bring terrific rewards to early investors.
So, future price charts and top competitors are waiting to join the crew of new coins emerging. We have one more contestant in the race of coins to blast the news- the PEPE coin. Pepecoin [PEPE]
Recently, there is a lot of buzz around projects like Pepe coin (PEPE) and Upcomings Chain UPCG coins which are likely great opportunists. If you still have not invested in these projects before their initial turnover then you have most probably missed the boat.
Coins like these with no utility are not meant to last, instead, these assets can prove to be very profitable if you pick the right project before it takes out. Meanwhile, there are asset holders that have turned pocket change into much bigger fortunes after accessing the early stages of PEPE.
Recently, this coin has shown profits with the most spectacular rises in the history of altcoins incurring over a 5,000,000% hike in recent weeks. On the contrary, many tokens also experienced a downtrend of nearly 45% even after reaching a peak worth $0.00000431 on May 5, marking a market capitalization of over $1.8 billion within three weeks. UPCG Coin
Though UPCG coins are still on the perk of hitting the list of new coins offering the best chances of success. This coin is newly developed on the latest Upcomings blockchain named Upcomings Chain UC with the latest tech concepts and operational protocols. You will definitely thank us later to bring this project into the limelight which will save you tons.
This asset is a native cryptocurrency to the newly deployed Upcomings blockchain which is introduced to offer secure and transparent transactions for common users. Being the native asset to the core project “Upcomings DAO ecosystem”, UPCG is now available to be utilized for ample purposes like payment for goods & services, and it can also be used as a means of exchange between diverse cryptocurrencies.
The total supply of UPCG coin is carefully planned over 110 million with a perfectly designed tokenomics serving the rightful use cases for participants. One of the primary facets of UPCG is scalability. The Upcomings DAO implies a unique technology named UpRoutes which derives protocols using a Proof-of-Authority consensus mechanism.
The applications and assets working on this platform are more efficient and scalable than any other traditional proof-of-work mechanisms. This allows you to earn the UPCG coins at a significantly higher transaction volume with lower fees, unlike other blockchain networks. Apart from exchange purposes, UPCG coins can also be used as a utility token, henceforth, the developers and users can hold UPCG while accessing abundant features and services offered by the platform.
You can vote on protocol updates as well as fund new projects. You can have a good benefitted investment holding UPCG coins now being a new entry in the market with potential future use cases.
2023.05.29 16:59 Gabrlknght7 The Sesh - Episode 001 - 05.29.2023
| || |Sevendaysin - The Sesh ( Episode 1 ) - 05.29.2023 https://soundcloud.com/djsevendc/the-sesh-001 submitted by Gabrlknght7 to DnB [link] [comments]
<- stream & download all you want; it's yours now.
Introducing "The Sesh," a new project from myself, aka Sevendaysin.
As I sheepishly admit in my intro, I'm not sure. what this will ultimately become, but I do aim to use this as a means to putting out more music and mixes this year...
Anyways, this next hour is full of recent bangers in the drum n' bass scene and I think this is some of my best work yet - I hope you enjoy!
SESH001 Tracklist 05.29.2023
01 Ed:it ● Springs ● CIA Records 02 Break Feat. MC Fats ● Natural Way ● Symmetry Recordings 03 Joy Orbison ● Hyph Mngo (Friction Rmx) ● Bootleg 04 Hugh Hardie x Stay-C ● Impala ● Hospital Records 05 Cesco & En:vy ● Esoteric ● 1985 Music 06 Flava D ● Red Pill ● Hospital Records 07 Gyrofield ● 24rd ● Critical Music 08 London Elektricity ● Billion Dollar Gravy feat. Liane Carroll (Watch The Ride Rmx) ● Hospital Records 09 Particle ● That Hz ● Critical Music 10 London Elektricity ● To Be Me (Conrad Subs Rmx) ● Hospital Records 11 R4NS0M ● At Odds With Everything ● Four Corners Music 12 Hyroglifics ● Albany Road ● Critical Music 13 DLR ● Roll With It ● Sofa Sound 14 IYRE feat. T-Man ● Want No Drama ● Hospital Records 15 Alibi ● Flawless ● Innerground Records 16 Break & Fox ● Code Red ● Symmetry Recordings 17 DSP ● Sunset ● CIA Records 18 En:vy ● You ● Critical Music 19 Koffee ● Toast (Clipz Rmx) ● Bootleg 20 Ed:it ● Lock Blues ● CIA Records 21 Waeys ● Cast A Path ● Critical Music 22 Fluidity ● Feelings ● Innerground Records 23 Noisia ● Leopard Slug (Halogenix Rmx) ● Vision Recordings 24 Paige Julia ● Ease Your Mind ● 1985 Music 25 Fade Black ● Barbed ● Critical Music 26 T>I feat. Madrush MC ● Sketchy ● CIA Records 27 Stray ● Ginseng Smash ● Critical Music 28 Submotive & DLR ● Accidental Funker ● Sofa Sound 29 Enei ● Woodrunner ● Critical Music 30 Marcus Intalex & ST Files ● Moonwalk ● Renegade Hardware 31 Monty ● Stylz ● 1985 Music 32 John Rolodex ● Tentacle ● Metalheadz 33 Q Project ● Everytime ● CIA Records 34 DLR ● Staying Up Late Making Music ● Sofa Sound
For Promo Use Only. Support the music you love and big up to all of the artists that absolutely made this mix and the vibes within.
All tracks are © their respective holders and publishers. Mix is CC-licensed for your non-profit-oriented listening pleasure.